Agent Orange

The classification of the "Big Four" of thrash metal from the US can be a topic open to discussion, concerning which bands should be included. While Metallica and Slayer are unquestionable choices, determining the third and fourth positions is less straightforward. Why prioritize Megadeth and Anthrax over contenders like Exodus or Testament, or even Dark Angel and Overkill?

In contrast, the European "Big Four" appears more unequivocal, arguably leaning towards a "Big Four of Germany" rather than a broader European representation. Kreator, Sodom, Destruction, and Tankard are undoubtedly the frontrunners, with their positions hardly subject to debate. Although the American thrash metal giants enjoy greater popularity and mainstream recognition, the German counterparts remain somewhat still underground. However, this doesn't diminish the undeniable quality of their music. Each of these German bands has consistently delivered a plethora of jaw-dropping albums, predominantly characterized by their violent and aggressive thrash metal sound—undoubtedly emblematic of true metal.

While this intro statement may not be directly tied to the album and the review, it underscores a significant point: the Germans are just as crucial to the thrash metal genre as the Americans.

I've chosen to review "Agent Orange" for two compelling reasons: it stands as my all-time favourite Sodom album and arguably my preferred thrash metal record of all times. The music of Agent Orange, while perhaps not enjoying the same level of recognition as its American counterparts, has nothing to envy when it comes to raw power and distinct style.

Before delving into the actual review, let's take a moment to explore who Sodom was at the time leading up to the release of "Agent Orange". Sodom holds a venerable status as one of the pioneers of extreme metal, boasting an impressive 42-year existence—an achievement that is truly remarkable. The band originated as a black/speed metal outfit, delving into the same aggressive and extreme realms of metal that would later give rise to various subgenres of this music like Black, Thrash and Death. Drawing influence from the metal legends of their time, Sodom became a substantial influence in their own right, particularly within the European metal scene.

True to their metal spirit and as genuine fans of the genre, Sodom never strayed from their roots or abandoned the essence of metal. In their early days, they embraced a black-ish metal sound on their first EP and debut album, aligning with the initial wave of black metal, which essentially embodies extreme metal and serves as the foundation for all subsequent subgenres, as mentioned before. However, as early as their second album, they deliberately shaped their sound and trajectory, leaving behind the black elements and actively contributing to the formation of what would later be recognized as thrash metal.

"Persecution Mania" marked their venture into thrash, with just a few remnants of black/extreme elements persisting. However, with "Agent Orange", Sodom delivered a pure thrash metal masterpiece, devoid of any lingering black influences—a validation to the band's evolution and mastery within the genre.

The shift from cult satanic/anti-christian lyrics to anti-war themes is notably evident, becoming a trademark evolution for the band. This transformation is underscored by the album's dedication, clearly stated on both the original insert and subsequent booklet, honouring "all people – soldiers and civilians – who died by senseless aggressions of wars all over the world." The majority of the album's tracks draw inspiration from the theme of war, a departure from their earlier lyrical content.

For instance, the self-titled song delves into the use of tactical herbicides by the U.S. military during the Vietnam War, specifically targeting the leaves of trees providing cover for the enemy. "Magic Dragon" centres around the Douglas AC-47 Spooky, a fixed-wing gunship used by the United States Air Force in the same conflict, earning the nickname "Puff, the Magic Dragon". "Remember the Fallen" emerges as an anti-war anthem, emphasizing the tragic consequences of war and paying homage to all individuals, be they soldiers or civilians, who lost their lives in such conflicts. "Ausgebombt", translating to "bombed out" in English, maintains thematic ties to war, exploring the devastation and aftermath of bombings. We can find a German version as well and I have read that the song is possibly about Germany being bombed during WW2.

There are also some non war related songs, such as the hymn "Incest", which retains a connection to the band's earlier style, exploring the taboo subject of engaging in sexual relationships with siblings. Notably, the song doesn't approach this theme in a judgmental manner but rather expresses a favourable stance toward the idea. While this topic may initially come across as provocative, it serves a specific purpose within the metal genre, aiming to shock and provoke a reaction from the audience.

"Baptism of Fire" delves into the downfall of mankind and the broader consequences for the world due to human actions. "Tired and Red" explores various painful, vicious, and gruesome ways to meet one's end, potentially having ties to the theme of war. Finally, "Exhibition Bout" centres on the subject of professional bullfighters, suggesting that they deserve facing death as a consequence of their unjustified cruelty towards innocent animals. This diversified lyrical approach not only showcases the band's versatility but also underscores their willingness to tackle various social and political themes, in an effort to elicit strong reactions and provoke thought among their audience—an essential characteristic in the realm of metal music.

Regarding the musical composition, a significant portion of the material was crafted by Witchhunter and Blackfire, with Angelripper taking charge mostly of the lyrical aspect. "Agent Orange" boasts a wealth of aggressive and direct thrash metal riffing that permeate the entire 37-minute duration (or 40 minutes if you have the version featuring the Tank cover). The album features a diverse range of riffs, varying from straightforward and simple to more technically intricate, all remarkably catchy. Drawing influence from speed metal, heavy metal, and their roots in the extreme metal movement, Sodom showcases a guitar work that is both impressive and dynamic.

Indeed, the guitar craftsmanship on this album is particularly noteworthy, reflecting a guitarist who has honed his skills through dedicated practice. Blackfire demonstrates a powerful and precise right hand, delivering influential rhythmic guitars as well as solos that complement the songs seamlessly. Despite Blackfire's remarkable skills, his strained relationship with the drummer contributed to his departure from the band, leading him to join the more technically oriented at the time, Kreator.

Speaking of the drummer, Witchhunter, known for his punk demeanour, offers a jaw-breaking drumming performance on this album. His style is characterized by its violence, speed, precision, and occasional grooviness, making for an overall headbangable experience. Witchhunter's drumming on "Agent Orange" is nothing but perfection. Angelripper, handling both bass and vocals, demonstrates improvement in his skills. However, a minor concern lies in the perception that his vocal delivery still sounds somewhat immature, lacking the later brutal quality that would make him renowned for one of the best growling voices in metal.

In terms of production, the album stands out for its super-clear, heavy, dynamically rich, and distinctly metal sound. Harris Johns, credited with the production, is not a random figure in the metal scene. A glance at his extensive list of production credits reveals his role in shaping the predominantly European metal sound during the '80s.

"Agent Orange" stands as an epitome of metal perfection. Musically, it embraces the essence of metal, delivering an unrivalled blend of aggressiveness, speed, and violence, all while maintaining an impressive level of diversity. Lyrically, the album reveals a band with genuine social and political concerns, opting for substantive art over superficiality. Globally, only a handful of albums can stand shoulder to shoulder with the excellence demonstrated by "Agent Orange". Even the album cover, despite its war-themed imagery – a theme that might not resonate with everyone – carries an artistic merit that complements the musical brilliance within.

It's almost inconceivable to envision someone identifying as a metalhead and not holding this thrash metal masterpiece in high regard. The album's influence extends beyond musical appreciation; it serves as a cultural cornerstone within the metal genre. "Agent Orange" isn't just an album; it's a timeless classic masterpiece in the vast landscape of heavy metal.