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Violent Attack > The Final Massacre > Reviews > Felix 1666
Violent Attack - The Final Massacre

Lovely Paraguay - 75%

Felix 1666, March 23rd, 2015
Written based on this version: 2006, CD, Proselytism (Limited edition)

South America provides good prerequisites in order to be a breeding ground for extreme metal. I am thinking of its wild nature, a martial history, occult rites and social imbalances. Does anybody need more to be inspired? Violent Attack do not. They play thrash metal which does not focus on complexity or technical gimmicks. In accordance with the circumstances of their origin, the guys from Paraguay are untameable, belligerent and rebellious. Only occult elements do not occur. Instead of celebrating a voodoo ritual, the band scores with enthusiasm and directness. Malicious tongues may say that Violent Attack do not deliver anything new; just have a look at their stereotyped name, the title of the album or its artwork. I agree, but I don´t care. I am much more interested in gripping tracks than in unique elements. Therefore, I appreciate the band´s talent for writing vigorous thrash metal tunes.

While demonstrating a very spontaneous approach, the band is able to impress the listener with furious songs such as "Flames of War" or "Violent Attack". The riffs are powerful and coherent at the same time and the guitar work definitely characterises the album. The drummer does his job in the expected way and the vocals also do not offer exceptional features. Even worse, the lyrics are completely nonsensical. But once again, I do not mind. Due to my narrow-mindedness, I just want to listen to intelligently constructed and (reasonably) well produced thrash. Fortunately, there seems to exist a spiritual affinity between Violent Attack and me, because the guys do not try to shock us with atypical breaks or something like that. Therefore, the band fulfils exactly my expectations. Admittedly, the sound is fairly dull and lacks of pressure. But we are talking about an album which originates from the dark depths of the underground. In view of this circumstance, the mix can be considered as relatively successful. Even the bass guitar is sometimes audible!

Exceptionally, the guitar lines illustrate the euphoria of the group, but they do not show a thought-out conception. They are fierce and fast without leaving an effect. The second half of "When the Barbarity Reigned" has to be mentioned in this context. But generally speaking, one realizes that the bandmembers are no beginners. As soon as you listen to the dynamic instrumental at the beginning, you will surely not be able to ignore the skilful interplay of the guys. In conclusion, I suggest to omit a closer look at the stereotyped lyrics. Just enjoy the raw and honest aura as well as the directness of the music. Indeed, a violent attack from South America. With regard to the given prerequisites, it could hardly be different.