Libertus

After a 7-year hiatus, Ghash, now adopting the moniker Storhetsvanviddets Mester, emerges from the shadows with his post-Keep Of Kalessin black metal endeavor, Aptorian Demon. Brace yourselves, for "Libertus" is a triumphant return that validates the protracted anticipation.

Diving headfirst into this auditory abyss, Aptorian Demon unveils a mysterious and breakneck black metal odyssey that transcends the realms of sonic extremity. Ghash's vocals, as potent as ever, intertwine seamlessly with the accomplished musicianship of the band, resulting in a sonic tapestry that pays homage to the early 90s Norwegian black metal ethos while carving out a distinctive identity of its own.

The compositional prowess showcased in each track on "Libertus" is nothing short of remarkable. The listener is propelled through a relentless onslaught of fast-paced blackened ferocity, yet the album cunningly interjects moments of respite with mid-tempo and slow-paced segments, adding a nuanced texture to the overall eeriness. It becomes evident that the depth and mystique prevalent in Keep Of Kalessin's early albums were intricately tied to Ghash's haunting presence, notably manifested through his vocal prowess. In "Libertus", this ethereal quality is not only retained but elevated, casting a captivating spell on the listener.

The sound production in "Libertus" attests to a meticulous balancing act. The mix allows for the prominence of intricate bass lines to captivate the listener's ear, all while preserving the unbridled essence of "true" black metal, characterized by walls of guitars and thunderous drumming that reverberate through the sonic landscape. Aptorian Demon masterfully incorporates acoustic passages throughout the album, culminating in the wholly acoustic composition, "Amir al-Mu'minin". These moments of respite serve as a testament to the band's dynamic range and compositional versatility.

Standout tracks such as the eponymous "Libertus" and "Ordets Makt" will please the most demanding black metal enthusiasts.