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Worth the mileage of a short trip - 83%

Gutterscream, March 12th, 2017
Written based on this version: 1984, 12" vinyl, Capitol Records (Japan)

“…and if you try to love me, you’ll not feel the same…”

As I divulged in this single’s promo review, Japan had first and only dibs on not just the publicly-released version, but the one that featured a different B-side and a helluva better sleeve.

The A-side is naturally “L.O.V.E. Machine”, apparently the Radio Rock mix (that’s absolutely no different from the LP version as far as I’m concerned), a story-driven, chorus-heavy, bordering-on-anthemic bruiser that, on the full-lengther, drives home its importance reinforcing the A1 slot of “I Wanna be Somebody”.

The B-side is “Paint it Black”, a decent Rolling Stones’ cover that starts its W.A.S.P.-gnarled journey on this limited disc and eventually gathers most of its mileage circling the same-year future School Daze single.

Alas, despite its geographical limitation, this single isn’t impossible to find. Just may cost a bundle to smuggle it from the Pacific Rim to where you’re hiding, and unless you’re a completeist, both tunes can be located during shorter scouting trips and is easily bypassable.

Best Of The Debut’s Singles - 81%

OzzyApu, June 28th, 2009

The verse for “L.O.V.E. Machine” is poignant, with the lyrics really coming alive through Blackie’s grief-stricken yell. This is the one songs I sing along to every time I hear it since it puts me more in the music than the other ones… well, sans “Sleeping (In The Fire).” The guitars don’t really go all out, since they’re the same chords struck throughout, but in culmination with mainly Blackie’s voice you’ll find it to be a real treat.

The solo is also more classical and Maiden-esque than most of the other ones, which is a reason why I enjoy a hell of a lot. Drumming is perfect with the clamor of crashing cymbals, galloping double bass, and machinegun-like tom hits. Bass isn’t all too standout, even though the song goes up and down in intensity, which is a downer for Lawless since on the other songs he really does a standout job.

“Paint It Black” isn’t a track known all too well within W.A.S.P. circles since it’s overlooked on the debut by the other staple tracks. However, I find it to be a really comforting cover that’s more colorful than a good handful on that very album. It has this psychedelic appeal with a groovy bass, plus who can forget that spacey solo!? It totally nails the vibe down - even in a genre such as this. I’ll give props to The Rolling Stones for writing it, but the character comes out on this cover version much more.

This is probably the best single from the band revolving around the debut album, since both tracks not only kickass, but prove to be varied accordingly. One retains the typical early W.A.S.P. sound while the other delves into more progressive territory yet still showcases a vivid band.

Accomplishes what it was meant to - 87%

ScourgeOfDeath, June 19th, 2009

It is usually understood that the main track on a single is always supposed to be the best one on it. The other tracks are either collectibles or fillers meant to promote the main track. But on rare occasions, these ‘fillers’ are so good that they actually overshadow the main song. This W.A.S.P. single is one of those rare cases. Sure, L.O.V.E. Machine is one hell of a track but the sheer awesomeness of the Stones’ cover surpasses it, although by a small margin only. This way, the single becomes much more desirable because after all, people buy the single for these B-sides only (the completists are an exception to this).

The track L.O.V.E. Machine is exactly what you’ll expect from a W.A.S.P. single although the guitar work is a bit uninspiring compared to what they are capable of doing. It is surprising how a lot of songs on their debut follow the same formula and yet, each sounds fresh. The lyrics are again the typical sex-laced ones that W.A.S.P. have mastery over. Couple it with Blackie’s gruff, sleazy vocals and you’ve got a song that can make the most notorious glam bands blush with its audacity. The only downside is the guitar work during the verses but the solo at the end and the starting riff cover up for that.

But for all its pros, the main track is not the better track. I’ll bestow that title to the Rolling Stones’ cover. Now, I am not a huge fan of the Stones but I love ‘Paint It, Black’ and I can safely say that this cover is the second best cover of cover of that song. Wipe the smug look off your face my friend because this statement comes from someone who has listened to over 20 covers of the song. The only cover of the song better than this is the one on Glenn Tipton’s solo project but that’s another review for another day.

W.A.S.P. have tried to stay as true to the original as possible while still keeping their basic style of playing intact. Blackie sounds much fiercer than Jagger but the melancholy associated with the original is lost. That, I believe is a side effect of covering a psychedelic rock song. Most of the riffs including the sitar ones have been faithfully placed here although a few have been left out and a few slightly modified. But in the end, the song succeeds in walking the tight rope associated with covering old classics. An added bonus is the fact that the lyrics of the song seem to match W.A.S.P’s image more than the Stones’. I am not sure how the Rolling Stones’ fans will react to it but I am certain that W.A.S.P. fans will grab it with both hands.