Register Forgot login?

© 2002-2017
Encyclopaedia Metallum

Best viewed
without Internet Explorer,
in 1280 x 960 resolution
or higher.

Filler odyssey - 50%

Human666, February 15th, 2016

Vinnie Moore is one of the more talented guitar players out there. He's got a great ear for melody and superior technical skills and he's probably one of the most well-known guitarists in the metal genre. However, this album suffers from an overload of pointless meandering tracks that are utterly boring.

'Morning Star' and 'Into The Future' are probably the best tracks of this album. There are some epic fluid solos in these tracks and they are definitely catchy and sophisticated enough to listen to multiple times. 'April Sky' is also a nice mid paced neoclassical shred fest that serves as a nice closing track. The problem is, that the rest of the album is a pile of utterly random joyful guitar masturbation that is completely forgettable. If you'll search "11 year old Korean girl playing Malmsteen" in 'YouTube', you'll probably find dozens of videos that sound exactly like the rest of this album. This album gets boring quite fast and sounds at best like something that guitar freaks would want to learn in order to train their skills, and at worst like a collection of unimaginative, repetitive scales exercises.

There's really not much going here. If you'll never liked shred guitar, this album won't change your mind. Comparing to Vinnie's debut album, this effort is a major letdown. There's simply not enough emotional substance or impressive moments here to justify a full length album. It's kind of funny that at the same year, some months earlier, Malmstten released an album called 'Odyssey'. So yeah, this album can be probably classified as a cloning Malmsteen effort with a couple of solid tracks.

Solid Follow Up to the Debut - 80%

DeathRiderDoom, June 13th, 2010

*Written for the 10th MA Virgin Reviews Challenge

To me Vinnie Moore was always the coolest of all the ‘80s virtuoso’s. Now I’m not a complete and total guitar nerd or anything, so I’m, not gonna go into some huge rant about technical details, but I just LOVE his first two records as heavy metal albums, and yeah – they display excellent talents on guitar. Vinnie is well known for his involvement in the successful act Vicious Rumours, and his efforts as a contributing session musician for big name acts yet has been releasing material under his own moniker since ’86, which if you ask me, sits alongside the great works from all the virtuoso titans. His first two albums are personal favourites of mine from the genre, and I feel his style is perhaps a bit more emotive, urgent, and less “for the sake of it” than other virtuosos.

The solid debut ‘Mind’s Eye’ from ’86 might not be as commercially sccesful as ‘Rising Force’ but showcases Vinnie’s talents as a tier-one axeman with a collection of passionately emotive tracks. Vinnie follows up on the album with ‘Time Oddyssey’, arguably a very similar album, with many cuts in the same vein as the strong debut. My favourite tracks include the epic and passionate ‘Message in a Dream’, a progressive sounding lengthy cut which crosses the line in over nine minutes, as well as the upbeat opener ‘Morning Star’. Both cuts get stuck in my head – and like the remainder of the album, perhaps especially so, they are addictive, and very, very pleasing on the eye. As to be expected on this album – the guitars are all round great – carried through by a fantastically crystal clear production job. Symphonic touches are throughout, but not too frequently – most of the tracks are pretty grandiose, upbeat showcasings of mindblowing riffage and great melodies.

Anyway, if you’re a guitar nerd, or fan of the ‘80s heavy metal/ neoclassical virtuosos like Malmsteen, Michealangelo - there’s no reason you shouldn’t dig Vinnie Moore’s solo efforts. Both the debut and this one are solid, with Time Oddyssey being a worthy successful to his first solo effort. This album is a pleasure on the ears, and it surprises me that Vinnie Moore isn’t a bit better known. I’m not familiar with the guitarist’s later works, so I can’t compare this to them, but this one is pretty much on par with his debut, and benefits from a strong job by the other band members. If you’re not afraid of a little instrumental metal then check this one out.