Register Forgot login?

© 2002-2019
Encyclopaedia Metallum

Best viewed
without Internet Explorer,
in 1280 x 960 resolution
or higher.

Privacy Policy

Technical majesty from outer space - 90%

kluseba, February 26th, 2012

After an already promising first strike, Vektor make another step forward with the release of their second professional full length output.

The band focuses even more on their technical qualities and a strong progressive touch in their music that have some similarities to many famous progressive extreme metal bands such as Absu, Opeth or Voivod. Especially the calm and introspective songs like "Venus Project" create a chilling contrast on this record to the wilder and spacier tracks such as the amazing "Fast Paced Society" or the great album closer and worthy title track "Outer Isolation". The only weaker tracks are in the beginning of the record as they are rather traditional straight forward blackened thrash metal songs that don't exploit the whole talent and creativity of this promising band.

Musically, there are a lot of positive elements to discover on this record. The vocals have improved since the last record and sound more controlled and yet diversified. The singer always convinces when he experiments a little bit with his voice as in the album highlight "Fast Paced Society" that sounds a lot like Voivod. In general, the vocals sound blackened but sometimes also quite spacey and vary from wild and somewhat repetitive shrieks to great and energizing blackened thrash vocals.

The guitars are simply amazing on this album. They deliver us sharp and simple riffs that you won't forget but also quite strange and discordant sounds that fit the lyrical topics in an excellent way. The riffs are always atmospheric and create a lot of images in my mind, especially in the calm or mid-tempo instrumental passages.

The bass guitar is very dominant on the record which is a very positive thing and adds a dark and uneasy feeling to the entire sound complex of the Arizonan band. Even though the bass guitar fits to the drum patterns and the weird guitar riffs, the sound of the instrument is quite distinctive and has an original touch. I would like to listen to more metal bands that use the sound of a bass guitar in such a great way as Vektor know to do.

The drumming is also flawless on this album and varies a lot without using too many blast beats. From pitiless speed rhythms in the thrash passages to tribal sections in some song introductions or the use of cymbals in the calmer and progressive tones and middles parts of the tunes, this record includes a whole variety of different techniques and manages to never get boring on one side but also to not sound too head struck and technical on the other side.

In the end, this is a very solid record from a technical and creative point of view. The only thing that I criticize are the first three songs that can't keep up with the amazing rest and the fact that the band failed to write a catchy killer track that really stands out and might be easier to approach than the rest. This album requests a lot of concentration, patience and time but is worth to be discovered. If the band manages to write a hit and leave out the simple thrash tracks in the beginning of their records, they might soon create a masterpiece and get the attention and feedback they already deserve from the metal scene to play in one league or take the heritage of Absu, Voivod and the other big names.