Chromaticity

'Chromaticity' is Tony MacAlpine's 9th studio album and, in my opinion, one of his best. When people talk about classic MacAlpine albums, his second album, 'Maximum Security', is often mentioned, but this album is by no means inferior to that '80s classic. There are 9 original tracks on this album, along with a piano cover of Chopin, as MacAlpine usually does, paying homage to one of his greatest inspirations.

In 'Chromaticity', the number of keyboard solos and the overall emphasis on keys is more prominent than in past albums. There are many fast licks played in unison by both keyboards and guitar, which creates a really special final tone. Another noteworthy aspect of this album is the appearance of Steve Smith (of the famous hard rock band Journey) on drums, 16 years after his participation on MacAlpine's debut. This guy is a total beast—his drum patterns are so lively and energetic, and they are a vital driving force of this album.

The title track is worth analyzing. It is one of the best instrumental pieces I’ve ever heard in the metal genre. It opens with an energetic, short drumming intro by Smith, followed by a highly complex yet melodic and fast motif played in unison by both keyboards and guitar. After that, there’s a sort of tension release with another melodic line that is quite complex but creates some space after the intense beginning. Then, the main motif repeats, followed by another variation of the tension-releasing section, and then a new, completely epic and extremely catchy melodic line that any aspiring guitar player will probably hit the replay button on numerous times to learn note by note. This track, despite having no lyrics, maintains a solid sense of verse-chorus structure because its melodies are so well-defined and memorable. Additionally, there are sections with more improvisational-style soloing that vary the song and allow MacAlpine to showcase his exceptional mastery of the guitar. This is a must-have track for any aspiring guitar player.

'Isis' is also an outstanding track. It opens with an exotic keyboard riff and syncopated rhythm, later followed by marvelous and atmospheric guitar lines accompanied by highly effective keyboard harmonies. Throughout the song, there are many interesting and surprising melodic elements that will keep you engaged. There's also a nice dynamic shift in the middle of the track when things become calmer before leading into the epic outro. Overall, it's a very sophisticated track where every bar has something intriguing, and each time you listen to it, you'll discover a new layer you hadn't noticed before.

There are no fillers on this album, each track is a standout. Even the Chopin piano cover is performed excellently and serves as a nice way to close the album. I believe there are moments of true brilliance throughout this album that any fan of instrumental music—whether they listen to metal or classical—should be familiar with. Highly recommended.