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The Famine > The Architects of Guilt > Reviews
The Famine - The Architects of Guilt

Despite Being Deathcore, It's Not All Bad - 40%

FullMetalAttorney, April 18th, 2011

I picked up The Famine's The Architects of Guilt on a recommendation from Vince Neilstein at MetalSucks. He professed to be skeptical of Christian metal in general, and Solid State in particular, and referred to The Famine as death metal in the vein of Abysmal Dawn and Morbid Angel, but with a hint of Slayer. Though a Christian myself, I'm also generally skeptical (but optimistic) about Christian metal, and especially skeptical of Solid State, but that sounded like a pretty damn good recommendation.

You'd think someone like Vince Neilstein--who makes money by writing about metal--would know deathcore when he hears it. This is straight-up, 100% deathcore, and the only time you might think it's truly death metal is in the intro to "The Crown and the Holy See". Even then, once the vocals come in they change back into deathcore. Despite being deathcore, it's not all bad. The music is very immediate and cleanly produced. The riffs are mostly metalcore, but some are played heavier in the deathcore style. The vocals are mostly higher-pitched, strained screams, but there are some passable death growls. The drums are nothing special, and you won't ever notice the bass as a distinct instrument.

Opener "The New Hell" is a pretty killer song, and many of the tracks have a solo played over the top of the breakdowns, saving those parts of the songs from being boring. But by fourth track "Turner Classic Diaries", which is basically a series of breakdowns, the weakness of nearly all deathcore becomes apparent. It just gets boring. Follow-up "Bigger Cages, Longer Chains!" sounds like I already heard it before, earlier on the album. The aforementioned "The Crown . . ." is a much better offering, but everything after that is yawn city. And the solo to "Pyrithion House" is so tired and generic I can barely stand it.

The Verdict: It's more deathcore. I've got no grudge against the genre, and for about the length of four songs it can be interesting. After that, I could fall asleep.

originally written for http://fullmetalattorney.blogspot.com/

What if The Black Dahlia Murder were metalcore? - 70%

World_Devourer, March 30th, 2011

The Famine are a Solid State Records band. That band says they have Christian members, but are not a Christian band. They also have members of Embodyment. It looks like those guys reattached their balls and started playing metal again.


I would be lying if I didn't say I had preconceived notions on what the band would sound like due to their record label. I was expecting generic metalcore with a spirit filled message. I was also not willing to believe they were actually death metal like they were being touted as. Well, I was right and wrong at the same time. Often people wrongfully call The Black Dahlia Murder metalcore. Well, The Famine sounds like what Black Dahlia would sound like if they didn't write good riffs and actually had metalcore parts, ie breakdowns.


Architects of Guilt did surprise me more than once. They often toe the line between melodic death metal and metalcore pretty well and never came across as deathcore. They mix the Gothenburg sound with a good touch of death/thrash, and break it all down with a large helping of metalcore influences.


Like The Black Dahlia Murder, my main gripe with The Famine are the high vocals. They get to be very monotonous. Thankfully they're not nonstop. As I said, the album surprised me more than one, but on a whole it wasn't filled with many surprises. If I want to listen to The Black Dahlia Murder I'll do so, I don't really need a copy. This album may turn a few heads amongst Solid State followers, but in the rest of the world of metal it will float along as an average release.