Register Forgot login?

© 2002-2023
Encyclopaedia Metallum

Privacy Policy

Terrifier > Trample the Weak, Devour the Dead > Reviews > TheBurningOfSodom
Terrifier - Trample the Weak, Devour the Dead

Stand in line and wait for your dose - 78%

TheBurningOfSodom, May 23rd, 2023

After delivering one of the finest albums of 2017 with their sophomore Weapons of Thrash Destruction, things were no doubt looking good for Canadian thrashers Terrifier. Apart from its undeniable blunt force trauma factor and overwhelming drumming, said album exhibited a couple of extremely prolific guitarists that were sorely missed in the scene, since Hexen called it quits four years earlier. It's a pity, then, that the healthy landscape of revival thrash didn't see any ulterior signs of life from the guys, at least until the long-awaited third opus Trample the Weak, Devour the Dead was finally announced, not too long ago...

Indeed, despite all the above reasons to be excited, the reality is that more than 6 years have passed since Weapons of Thrash Destruction had stormed the world, and this album's title reading like a mashup of words from the 'Violent Reprisal' lyrics set didn't look exactly refreshing. Oh, and the line-up was drastically reduced to a three-piece with the abandonment of bassist Alexander Giles and, perhaps most notably, Brent Gallant, one half of the stellar duo of axemen. Luckily, the band is in way better form than these premises might have implied. Remaining virtuoso Rene Wilkinson kept heroically soldiering on on his own, and vocalist Chase Thibodeau gladly took over bass duties as well, in between screaming his lungs out with his hysterical yelling as usual.

Now, there are differences, and it couldn't have been otherwise: Trample the Weak, Devour the Dead seems marginally more inspired by old-school thrash, and mercifully way less overproduced (which really was my main gripe with the predecessor), striking a perfect balance in the mixing and basically sporting by far the best sound they've ever caught on tape. So, there's the occasional link to their de facto debut Destroyers of the Faith on more than one occasion – perhaps since outperforming Weapons of Thrash Destruction in terms of extremity was arguably akin to fighting a losing battle. Kyle Sheppard is still behind the drums, though, so expect another devastating performance with frequent excursions into blast beat mode. The dude's seriously one of the most extreme drummers of the neo-thrash scene, and his tenure with the black metal project Finite in the meantime surely didn't hurt.

Strangely enough, the album isn't even front-loaded like in the past. The 'Re-Animator'-'Deceiver' tag team is still untameable, basically. But make no mistake, opener 'Trial by Combat' follows along the same lines, with a batshit insane pre-chorus above all, and Wilkinson layering himself to sound like the days of old. But the true gems come halfway through: 'Grinding the Blade' brings, gasp, an acoustic intro transitioning to a wonderful lead smoothly enough to rival the aforementioned Hexen – but it soon gives way to another scorcher filled with blunt, neck-breaking tempo changes. Even then, 'Death and Decay' is even more direct, a distillate of sheer aggression and memorability punctuated by a whirlwind of solos, probably the closest episode to their breakthrough LP and one of their best songs ever.

These three cuts are no doubt worth a couple listens, at the very least, and warrant Trample the Weak, Devour the Dead a more than positive score. Unfortunately, they also end up miles ahead of the rest of the pack. 'Awaiting Desecration' and 'Depths of the Storm Scepter' aim for the same respective vibes of those two, but can't convey the same feeling of tracks you'd want to return to immediately after they're finished. The shortest ones, 'Bones of the Slain' above all, feel just unfinished, and there are no more multiple solos per song to rescue them. I would hesitate to call them half-assed, since they hit, and hit awfully hard, while they're on, but that's pretty much it.

All in all, even with a half dozen years of wait, Trample the Weak, Devour the Dead gets the job of a Terrifier album done, propelled by Sheppard's usual endless supply of energy and the likewise usual lead guitar masterclass, albeit at a reduced level (the absence of Gallant, who I'd even dare to say was my favourite of the two, is still tangible). There are maybe a bit too many misses and too few truly must-listens to be an all-around great album, but it's another remorseless delivery of violence, more or less on par with Destroyers of the Faith, with all due differences of the 10 years separating them. A Terrifier LP is always worth a listen, it goes without saying.

Originally written for