Register Forgot login?

© 2002-2017
Encyclopaedia Metallum

Best viewed
without Internet Explorer,
in 1280 x 960 resolution
or higher.

The longest album title, the best female growl - 80%

Morhguel, October 8th, 2009

This Canadian grindcore formation really knows how to gain attention. They want to set two world-records simultaneously: the world-record of the longest album title and also of the most extreme female vocal sounds. They have a really good chance to achieve the first one because I haven’t found any album with longer title than Tard’s „Disgorging Guttural Regurgitations of Dismembered Disembowelment and Effluvious Visceral Entrail Secretions With a Side of Emaciated Malignant Lymphatic Putrescence, a Glass of Ensanguined Malodorous Discharge to Drink, and Coagulated Pustular Rectal Seepage for Dessert (With a Cherry on Top)” (yes, surely that’s the full name of this album). And what about the other title, the band with the most extreme female vocal sounds? Well, if it depends on me, they got it!

But of course, if you hear that there is a death metal band with a female vocalist you’d probably think that her voice is like Angela Gossow’s (Arch Enemy), Rachel Heyzer’s (Sinister, Infinited Hate) or if it’s grindcore than Sarah Remetch’s (Watch Me Burn). If you think that, you’re wrong. The mentioned ladies have soft and mild voice compared to Tard’s blonde lady. It’s a common phrase that „her voice is probably better and more brutal than most of the male vocalists’” but here is not a phrase and there is no probability: Hillary Muff has definitely one of the best growling voice sound and one of the creepiest harsh vocal I’ve ever heard. It reminds me the earlier Nasum records and the recent Dying Fetus growls – but Hillary’s voice is chunkier. Of course, she uses not only these deep growls but high croaks also. When I say croaks I mean it seriously, she’s croaking like a mutant crow. It’s really creepy but it absolutely fits into their music. I don’t know whether the clean singing at the begininning of the first track was performed by her, but if it was, then I have to make a deep bow to her. And for the doubters: according to the booklet they didn’t use any vocal effects on this album, not even a pichshifter, and if you don’t believe me just check the live videos out at the band’s MySpace page!

Fortunately, the band’s music is not based only on this uniquity, as we can see here, they have the talent to write a real album. The genre is a mixture of grindcore/brutal death metal, it’s never too primitive but it’s also not overcomplicated. The vocal themes are memorizable but it’s really hard to hear the lyrics out from the growl which is the only downside of the vocalist. The lyrics are really funny and creative, „Panty Sniffer” captured me instantly with its „grammatical” topic. This is a song about „why do people call panties a pair and not just panty” and the best part is when she screams insanely that „IT’S NOT TWO! IT’S JUST ONE!”. Of course, this is the only „grammarcore”-song on this album, each track is different with different themes. The artwork of this album is horrible, but fits into their image. The sound is not the best, however, I’ve heard worse before on albums. The main problem is with the guitar sound, they are heavy and cunky but not clean enough to catch the guitar themes easily. The other instruments were mixed and mastered well, the bass sound is nice – sometimes it’s better than the guitar sound – the vocals are simply great, the drums are okay, although, sometimes the kickdrum is a bit louder than it should be, but that’s okay also.

At the and of the album you can hear a bonus track featuring the vocalist of Unmerciful. The song is okay – but the phaser/flanger effect was a bit strange for the first time – but the track starts with a noise which is more than 5 minutes long and that’s really nerve-racking in a negative way, especially when you want to listen to this CD repeatedly. The record is a bit short – if we don’t count with the bonus track it’s only 19 minutes long – but that’s okay for this genre. You won’t find any bad-written or boring song and I’ve already found two outstanding grind anthems: „Panty Sniffer” and „Grandma’s Gift”. The whole album is of high standard and smooth, however, not every song is as outstanding as the mentioned ones.

Tard’s debut album is really interesting and unique, the band has a big chance to get in the spotlight, at least Tard’s name will sound familiar for all the music fans sooner or later. I wish they stay within their chosen path and they keep showing their musical talent and I hope they won’t take their uniquity wastefully. I recommend this record for everyone who loves the special musical efforts, and if you are a fan of heavier music or especially death/grind then this release is a musthave!

( Originally written for )

Entertaining grind with something for everyone - 78%

Muloc7253, February 12th, 2009

The full title of this album is 'Disgorging Guttural Regurgitations of Dismembered Disembowelment and Efflivious Visceral Entrail Secretions With a Side of Emaciated Malignant Lymphatic Putrescence, a Glass of Ensanguined Malodorous Discharge to Drink, and Coagulated Pustular Rectal Seepage for Dessert (With a Cherry on Top)'. You could either expect this to be ridiculously over-the-top extremely brutal, or annoying hipster 'funny grind', although it's neither. However, if the title does link to the music in some way, the whole album does sound like a complete overview of death metal and grindcore presented in a fun little package.

Tard pretty much cover the whole map. There's chugging, groove riffs, blast beats, melodic riffs, guttural, throaty screeches, pinch harmonics, dischordant riffing, bits that sound death metal, bits that sound grindcore. It sounds a lot like an album that were signed to Comatose so that they could be a good representative to outsiders of all the different styles Comatose cover. I wouldn't really say that it's on the same level of quality as Corpulate or some of the other great Comatose bands, but it's still kinda cool. I tend to like the guttural, more brutal parts better I think. When the throaty screeches and atonal, dissonant riffing comes in I tend to get less excited. They're not really bad but I'm just not really into that style so much, at least they're used sporadically as a way to build intensity and never come off as excrutiatingly annoying like Cling to the Trees of a Forest Fire or Psyopus.

It's nice and short aswell, so it's a win as far as I'm concerned and even though it's not an extreme metal classic it's still a fun album that's enjoyable when it's on.