Register Forgot login?

© 2002-2017
Encyclopaedia Metallum

Best viewed
without Internet Explorer,
in 1280 x 960 resolution
or higher.

Now For Wrath...Now For Ruin - 96%

VinterNatt1785, March 24th, 2011

After watching the trilogy of The Lord Of The Rings, I decided to pop in my sole Summoning album I own, "Dol Guldur", and give it another listen. How much more I appreciated this album I cannot say in words. I never read any Tolkien books nor was I too interested until recently but I did own "Dol Guldur" and listened to it rarely. This time that I did actually sit and listen, I came away with completely different feelings and a total understanding of the lyrics and music. Even the constant repetition became one with me and I understood, oh yes my precious, I understood.

Silenius and Protector are two musicians I am really unfamiliar with even with owning an Abigor album, I don't know too much about them, but their work is not too shabby. The intro to "Dol Guldur" which is "Angbands Schmieden" has a very sinister undertone amidst the folksy keys with chiming bells sounding as a prelude to a huge battle. The drum machine kicks in with a steady beat and prepares one for the journey about to be presented. As this slowly dies out we are slammed(can't emphasize enough)with a blasting freezing riff containing lightning speed tremolo with sinister laughter over it. The vocals are the key to these tracks where you figure they'd mostly be overshadowed with the synths but they aren't, at all.

The lyrics here are found in The Two Towers with Smeagal: "Cold Be Hand, heart and bone and cold be my sleep under stone...never more shall I rest on a snowy bed, never...til the sun has failed and the moon is dead." This made me smile. The next song is "Elfstone" with glaring trumpets and a repetitious riff as a return or a searching of, you guessed it, the Elfstone. This is one of my favorite tracks as it contains the best line ever spoken before a glorious death in The Two Towers: "Now For Wrath, Now For Ruin...And A Red Nightfall." The repetition is the key and with the riff(s) and synth, you will not fall asleep, I promise.

Next we come to "Khazad Dum" with a very slow and long introduction but once the drum(s) kicks in you will be anxiously awaiting. The opening riff is ablaze with fire as we are transported to Middle Earth after the Men and Elves battled Sauron the first time where Isildur's sword was broken by Sauron's foot and the Ring Of Power was taken. There are many times during this song where it stops to just a synth but again, no nodding out or when the guitars return you will shit yourself. Now, we come to Kor, with it's valiant organ throughout and bloody good repetitive vocals. A very good song, and also the last ten minute track on "Dol Guldur".

"Wyrmvater Glaurung" is an instrumental that sounds like the "Moonlight Sonata" on acid with a totality to it that would suit an industrial album perfectly. The clanging of the bells is very dramatic and besides being the obvious filler, I liked it very much. "Unto a long glory..." starts out on an ominous feel but once the vocals start, we are treated to the familiarity of the above previous formula. "Mourn not over much, mighty was the fallen" are the eight words from the chorus which will stick in your mind from "Unto a long glory...". Again, the riffs are present and fast and accompany the synths well. The drum(s) are slower here but have a perfect steadiness to them.

"Over old hills" is a sort of a reminisce track of someone's lost utopia or childhood. The synth here starts out as piano tinged and the vocals very slow. Then, once again, that faster than light riff to a medium paced song starts and we are thrown into a perfect track to end "Dol Guldur" on. The synths here go back and forth from piano to horns then to strings. "Over old hills" is definitely my favorite track along with "Elfstone" and "Nightshade Forests". If you don't own this album yet, pick it up. If you haven't read Tolkien or seen The Lord Of The Rings films and listen to "Dol Guldur", it might not make much sense, but it won't take away from the joy of this 1996 masterpiece. Enjoy my precious.