Register Forgot login?

© 2002-2022
Encyclopaedia Metallum

Best viewed
without Internet Explorer,
in 1280 x 960 resolution
or higher.

Privacy Policy

Skyforger > Kauja pie Saules > Reviews
Skyforger - Kauja pie Saules

Skyforger Won This Battle! - 97%

Khull, February 12th, 2009

Admittedly, I'm not as enthusiastic a fan of folk metal as I probably should be; only a select number of bands have managed to hold my interest. Layering the typical cliché folk melodies – those cheesy, happy-go-lucky tunes derived from the myriad “folk” instruments that seem to be present in just about every country's music – never clicked as being particularly meaningful. At the end of any given album, whether it be by Ensiferum, Aes Dana, Eluveitie, Otyg, you name it, they all carry that same inherit trait which never fails to leave me dissatisfied. Fortunately for Skyforger, they don't suffer from this. Whereas the aforementioned bands proclaim more of a “Hey! Our ancestors could drink and sing you to death! Listen!” In Kauja pie Saules, Skyforger charges in from the flanks, their hatchets, bows, and swords at the ready, shouting, “Yeah? Our ancestors could raze your villages to the ground before breakfast! Fucking watch us!”

Skyforger lives up to that hastily crafted statement to the letter, and this is almost entirely due to the extent of the black metal influences. Fast paced, highly distorted guitars, producing wild and savage sounding riffs, rush headlong over the flurry of drums, shifting between double bass attacks and more involved compositions, culminating to something of a primitive sounding, early Windir mixed with a touch of Storm (Nor). Of course, the music isn't complete without the vocals; harsh, throaty rasps slightly dirtier than Eluveitie, telling stories of battles past. When put together, they create an intense blend of folk and black metal, fitting for an album who focuses on war and killing.

As the album progresses through the forty-odd minutes of blackened folk goodness, one gets a sense of purpose, like there's a story or point this album is trying to convey. Each track is a logical step in the progression of the story being told, and even though a typical person like myself can't make heads or tails of the lyrics, the sense that the album is going somewhere with each song is apparent from the music. Breaks and interludes, often in the form of brief periods of chanting, signify stays in the bloodshed and warfare happening all around. Conversely, the flurrying guitars and drums paint images of chaos and battle in the mind.

Of all the tracks, three contain the clichéd, distinguishing characteristics of folk metal. Neighed the Battlehorses (track 1), Kurshi (track 3), and Why the Horns of War Are Blown (track 7). Battlehorses, as one would expect from an intro, is a song of preparation. Horses neigh in the background as chanting is heard in the foreground. Kurshi starts with the sound of a flowing stream and native-tongued chanting, but doesn't last longer than a minute or two, giving way to the meat of the song. Horns is another interlude, containing only a crackling campfire and monophonic chanting accompanied by tribal drums and a flute.

I highly encourage Skyforger be listened to by anyone in the market for exceptional folk metal with traces of black metal. Hell, even if you don't particularly like the genre, this might go a ways to change your mind. The two standout songs are, perhaps not unexpectedly, the battle songs; The Battle of Saule (track 2), and Battle at Garoza Forest (track 8). You won't find any cheese or joy here; only determined, battle-hardened music arranged in such a way as to keep you riveted for the album's lifespan. Skyforger set out to tell us a story past with Kauja pie Saules, and they succeeded.

One final note: I wasn't aware that the tracks listed on our beloved site didn't have their English translations. I've given the track numbers corresponding to their names to avoid confusion.

Pagan Excellence - 95%

Basilisk, February 26th, 2007

Skyforger’s first full-length album, first recorded in 1998 and then re-released in 2006 is a masterpiece of Pagan, Folk, Black metal. Their proud heritage is nobly recounted through this album of great quality.

It kicks off with the old Lativan warrior’s song, ‘Zviegtin Zviedza Kara Zirgi’ (Neighed The Battlehorses). It is played very well with the men singing in unison to the steady beat of the drum and the acoustic folk instruments. The sound of neighing horses can be heard in the background. I really enjoy stuff like this and I thought it was a great opening for the album.

Next is the title track. It comes off heavy and with a good fierce beat. It sets the standard for the next few tracks to come which are of the same caliber; brutal black metal reminiscent of Carpathian Forest but heavier and with some folk instruments appearing now and then to make it that much better.

The fifth track begins with some splashing water sounds that sound so genuine it’s as if you’re experiencing them first hand. That’s before a short chant that is followed by the rest of the song which is more brutal black metal.

The song after that, ‘Kalejs Kala Debesis’ begins with what sounds like pipes and that ‘boinging’ instrument that you hear a lot in the music of Korpiklaani. The rest of the song is more excellent black metal.

The third last song is entirely folk. It’s a nice refreshing little interval sung around a crackling fire with the sounds of nocturnal animals like owls in the background. The only instruments in this song are vocals, drums, and a whistle.

The second to last song is another one based on a battle of yore; the battle at Garoza Forest. This is one of my favourite songs. The guitar melodies are fantastic and fit the atmosphere well. It makes use of whistle and pounding drums and the song also at times, mixes in acoustics.

It is with the consistent strength that this band has shown throughout the album that it comes to a close. This album is truly great. I strongly recommend it.