Sting in the Tail

The sooner the release date approached, the better the album was promised to be. First we are told this album is going to sound like the Scorpions did in the early 80s. Second we are told that this album is very good, on par with the classic albums Blackout and Love at First Sting, in the opinions of the band members. Last we are surprised with this being the final studio album the Scorpions will ever make together and they want to end their career on a high note, making this their swan song. If all these things were true, the Scorps would be making one hell of a farewell album. Unfortunately, the Scorpions seemed to have set the bar extremely low or they have just no more inspiration. I don’t mean to say the entire album is bad, but it sounds uninspired nonetheless.

Oh yes, this album sounds 80s alright, but it’s nowhere near Blackout. Actually, the sound reminds me more of Crazy World and Unbreakable, with a dash of new. This new element is the will to party, and party they did. Choruses like “Let’s Rock” and “Turn You On” are really happy and celebrating, unique to Sting in the Tail. The quality of the songs is however a bit less. I already said it was a little like Crazy World, and I think that one is a bit of a dull album. Well, this album is actually quite the same, but in a different way. Where Crazy World just didn’t have enough hooks and heartbreaking melodies, SitT does have hooks, but they don’t last for very long. They kept this album very simple, very happy and thus making it sound uninspired. The band’s performance is very tight, but the arrangements are dull. Best example of that is the title track with its one-chord verses and chorus. There’s just no challenge for the listeners on this album, although I have to admit the guitar solos are great again, after a short absence from previous albums.

This doesn’t mean the album doesn’t have its moments. “Raised on Rock” is a classic opener with very tight “Hurricane”-ish riffs and real good vocals. Vocalist Klaus Meine is really shining on the album, hitting high notes on his old day. “Lorelei” is a truly great ballad, slightly borrowing arrangements in the main theme from Crazy World’s “Send Me An Angel”. “Let’s Rock” is my favorite track with it’s relaxing heavy riff and very melodic partying chorus, but unfortunately not all CD releases of SitT feature this song. “The Best Is Yet to Come” is as a final ballad also worth a positive mention with its more modern sound and very catchy melodies. It’s obviously an upcoming live track with the stadium chants of ‘heyaheyo’. Having mentioned these four good songs, this is where the notable work stops.

The rest of the album is filled with okay but not great tracks. “Sting in the Tail” and “Rock Zone” for example are two very uninspired rock songs that don’t feature anything really stunning or notable. Same with rockers as “No Limit” or “Spirit of Rock”. These songs are not necessarily bad: they have considerably good riffs, great vocals and good choruses, but they are far from memorable. It’s okay, but not great. The ballad “SLY” on the other hand is quite a bad song. They not only copied the opening chords from “Send Me An Angel” again, but the rest of the track doesn’t go anywhere. That’s the whole problem with this album: most songs don’t go anywhere, they just go. That’s what makes this album pretty dull. European single “The Good Die Young” is in itself not a bad song, but doesn’t add anything to the album but an okay track without a solo. And then we have Tarja Turunen doing some backing vocals here, but it’s nothing that can’t be replaced by keyboards. It’s really a pity the Scorpions decide to end their career with this.

In short, Sting in the Tail is not the great farewell album they promised it to be. There are some fine songs on it, but the rest doesn’t matter. They’re not bad songs, but not at all great, and thus they make this a very dull album. I would recommend this only to collectors of the Scorpions’ music.

Strongest tracks: “Let’s Rock”, “Lorelei” and “Raised on Rock”.
Weakest tracks: “Sting in the Tail”, “Rock Zone” and “SLY”.

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