The Rebirth of a Cursed Existence

Compilations released by black metal bands do not have a very good reputation. They are usually filled with old re-recorded songs, demo versions or bootlegged live performances. In short: a feast for freaky collectors, but mostly an unattractive product for the average amateur.

It is therefore with enthusiasm that we should welcome Sargeist and World Terror Committee’s initiative: famous Finnish group and German label unleashed this year a very special compilation. In fact, this release only includes original songs, previously appeared on a variety of analog publications (7", cassettes, etc.). All fourteen titles on The Rebirth of a Cursed Existence illustrate again (if it was necessary) Shatraug’s (leader and song writer) phenomenal musical hyperactivity.

Immediately note the remarkable mastering work done for this album, which gives it a nice homogeneity, despite the diversity of materials, which cover almost all the band’s career, from the 2002 split with Merrimack until the 7" Lair of Necromancy published in 2011. Song writing continuity is also striking. Same style can be heard on both the title track and Reaping with Curses and Plague, yet written ten years apart. However, a few songs distinguish themselves from the band usual stylistic trademarks. Vorax Obscurum has a typical thrash frenzied rhythm, while the overwhelming Crimson Wine evokes fat and oozing doom.

Sargeist’s music is however more known for its epic and romantic outbursts, riffing quality and a unique touch that combines grandeur and aggression. These characteristics can be particularly found on 7" Lair of Necromancy’s two excerpts (Nightmares and Necromancy and The Moon Growing Colder), beautifully written and will likely end up on the band’s fourth full-length.

Unfortunately, some average songs are somewhat darkening the picture. For example, Black Unholy Happiness and The Covenant Rite (though positioned in the heart of the compilation) are repetitive and lack imagination. Same riffs are looping through a softy tempo, and after a few listens, these songs are almost systematically skipped.

The Rebirth of a Cursed Existence is a compilation that can be listened as a new album, since most of the songs are taken from confidentially distributed releases. With more than seventy minutes of little known but overall excellent quality material, this record is a real Sargeist gift to their fans, which should allow them to wait until the next full-length.

Originally written for Métal Obscur.