Advent of the Black Omen

The most important thing to know about Advent of the Black Omen is that it's not easy to listen to. Unlike other Blasphemy-clones whose music can be described as formulaic, this album is different. There is a uniqueness about it and it demands your full attention in order to appreciate. I have found it to be a real grower, as with each spin I find hidden treasures that pull me back into it again and again. The strange thing is that despite my numerous listens, not much sticks in my memory afterwards. Generally this would be a bad thing, however I find this to be a plus. This music is refreshing in that it is somewhat counter-intuitive, jarring even, but like a good drug, it's seriously addictive.

Although the drumming is bit simplistic, it has a style. The drummer seems to favour a heavy use of large drums. The sound of floor tom and bass drum predominate, and comes across loud, clear, and heavy. He also throws in some unique cymbal work that offers a tantalizing contrast to the drums. Excellent drum work overall.

It's a little difficult to hear the guitars, but they really come alive during a handful of random demonic solos. The intro and the outro that bookend the album are done with the right length and atmosphere; no keyboard wankery, and right on target to encapsulate this 30 minutes of bestial aural assault. You come out of this thing only remembering that it was fast, very fast, and good enough to press that repeat button.

Proclamation is a good act. From its members' pseudonyms and costumes, to their photo layout, it just oozes Blasphemy worship. But they also have the chops. Can't wait to hear their new album.