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Nyarlathotep - 70%

Zerberus, March 7th, 2013

Like drugs doom metal require a certain setting and mindset to be most effectful in terms of musical enjoyment. Doom metal and all its subgenres to me are some of the most atmosphere-creating subgenres of metal and so the things that the music brings to life in my mind are very important when I listen to it. I found that the American black/doom metal band Nyarlathotep, while their name isn't exactly the most original, brought to life visions of dusty, desolate and dystopic wastes thick with the scent of impending doom and coming apocalypse.

Black/doom metal and funeral doom metal isn't well known for huge attention to detail or variation, so it may seem a bit nit-pickey to say that I found "The End is Always Near" to be a bit uneventful and unoriginal. A pitfall that many bands in this genre fail to avoid is the tendency to more or less sleepwalk through songs, and my first impression with Nyarlathotep was that they were such a band, but upon further listening I found their music to actually be pretty fascinating and enthralling. Never judge a book by its cover, I suppose.

I had prepared myself to write that Nyarlathotep's music didn't have a very good atmosphere compared to how much the genres relies on just that, but the gritty, fuzz-driven cacophony that make up the bulk of their EP has a certain claustrophobic effect rather befitting of the lovecraftian name. The droning instrumentation and void-like vocals really come together and form the very sound of the apocalypse.

I was originally content on giving Nyarlathotep's EP a 60 %, but I have actually grown to enjoy the sublime slices of dementia that make up The End is Always Near to such an extent that I have decided to give the EP 70 %.

Originally posted on http://gouls-crypt.blogspot.com/