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Wild - 82%

Felix 1666, January 21st, 2018
Written based on this version: 2010, 12" vinyl, High Roller Records (Limited edition)

"Divinity of Death" is the debut of Nekromantheon, another band that hails from the uncomfortable swamps of Norwegian black thrash. Fans of Aura Noir, Condor or Deathhammer do not need to read more. The three-piece from Kolbotn (is this the town where seemingly every Norwegian lives?) provides the same degree of ugliness, vehemence and chaos. Thus, the dudes will not disappoint the supporters of the aforementioned gangs.

The album has a lot of raging high velocity parts, but tracks like "Gringo Death", "Cry Havoc" or "Divinity of Death" provide evidence that Nekromantheon also like some mid-paced rhythms and galloping guitars. These parts show that the might of "Hell Awaits" is still unbroken, because the here presented riffing lies in very close proximity to that of the greatest classic of all. Not the worst point of reference, if you ask me. But the Scandinavians do not wallow in the well steered cruelty that made "Hell Awaits" to a perfect album. "Divinity of Death" is like Pandora's Box, each and every plague is released and Nekromantheon see no sense in taming these evils. They do not even shy away from a 40 seconds track that sounds like a persiflage. "Lex Talionis" is absurdly fast, the only weak "song" here and I guess it is the privilege of debutants to put such a pretty worthless number on an album.

The vocals do not hail the old school of Destruction's Schmier. High-pitched screams do not occur, the unleashed newcomers prefer harsh and coarse barking. But apart from the overdose of energy, the main feature of this pretty short full-length is its wild, insane and Slayer-inspired guitar work. The drummer has more than enough to do in order to keep up the pace (and to contribute some nice fills), but the guitars deliver dozens of jagged and sharp riffs. They profit from the production which adds another filthy touch to the appearance of the songs. This is the right approach, because high transparency and black thrash have never been close friends, even though the transparent vinyl of the High Roller Records edition looks nice.

Despite all the fury, chaos and vileness, one also finds the necessary amount of melodies. Well, let's say one can identify under the microscope trace elements of melodies, but that's enough to prevent a senseless massacre. "Divinity of Death" reveals that the band has a musical potential. It was obviously not their aim to create only total noise, the songs are based on good ideas and this fact, combined with the liveliness of the band's approach, lends the debut an exciting momentum. It does not score with outstanding tracks in abundance, but everybody with a weakness for reckless and violent music will enjoy this record. On the other hand, it goes without saying that this kind of music plays havoc with all these aesthetes who like to discover fine nuances and technical details. But I am no aesthete. I just turn up the volume, enjoy songs such as "Devolutionary Storms" with its great, almost finger breaking riffs and exercise hyper-banging.

Gritty, Nasty Thrash - 87%

GuntherTheUndying, April 18th, 2011

So this Nekromantheon band kicks a ton of ass. Chances are you haven‘t heard of these dudes, but that isn‘t any reason to pass over the bloodthirsty assault that lives throughout “Divinity of Death.” The group’s full-length release more or less pays tribute to gritty, slaughtering thrash in the vein of Sodom, Possessed, Kreator, Slayer, and Sepultura before they went stupid, much unlike the Eviles and Death Angels which wallow in arbitrary influences and mainstream junk. The Norwegian spirit is overflowing with hints of primordial black metal ala Mayhem and Venom churned into the grinding display of awesome riffs that is "Divinity of Death," and the torturers of Nekromantheon waste no time suffocating its victims in thunderous thrash that relentlessly mauls everything in sight.

Not a whole lot changes during this thirty-minute violation, but that honestly doesn't matter. Nekromantheon wastes no time unhinging its jaw and swallowing your ears with acidic, primitive thrash totally void of melodic death influence or modern qualities found in most pseudo-thrash bands that would like to believe they were Exodus. The group flashes a bazillion monster riffs ala "Beneath the Remains" or "Hell Awaits" at a million miles a second, with enough intoxicating heaviness to get the most stubborn maniacs to mosh like madmen. "Divinity of Death" never leaves the montage of ripping solos, gruff vocals, and slaughtering riffs; the band's massive arsenal explodes like a rocket-propelled grenade and refuses to relent in its smoldering viciousness.

Nekromantheon is one of the few thrash groups out there that will probably stand the test of time. The group's music is brutal, memorable, fun, and stuffed with more hooks than a bondage chamber. This, kids, is real thrash; mean and nasty, Nekromantheon knows exactly how to rip open the world's crust and piss on its rotten core. It's no "Spectrum of Death" or "Darkness Descends," but "Divinity of Death" will still kick the crap out of you and there's really no reason to pass over this band and their awesome material if you’re sick and tired of crappy tribute bands that couldn’t thrash to save Roadrunner Records.

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