Register Forgot login?

© 2002-2018
Encyclopaedia Metallum

Best viewed
without Internet Explorer,
in 1280 x 960 resolution
or higher.

Another direct hit - 82%

Warthur, November 16th, 2011

Only falling very, very slightly short of the standards of the preceding Overkill or the following Ace of Spades - and that's only because the title track is very, very slightly less iconic and memorable than the title cuts from those two - Bomber continues Motorhead's ongoing fusion of heavy metal aggression and volume, punk rock attitude, and classic rock and roll songwriting.

As with many Motorhead albums, the title song is the best - this time placed as the album closer rather than kicking off the set - with an insanely catchy chorus it's almost impossible not to sing along to. Lemmy's talent as a lyricist is in full flow this time around, with Poison being a frank and emotionally raw condemnation of his absentee father and Lawman being one of the most eloquent "fuck the police" songs ever recorded. Fast Eddie gets a shot at lead vocals on Step Down, but can't really match Lemmy's iconic roar - not that anyone could expect him to, but it does mean that song is a step down compared to the rest of the album.

As far as the music goes, it's more of the classic Motorhead sound - loud as fuck bass and percussion, with Lemmy playing bass like it's another lead guitar, and fast and furious lead guitar from Fast Eddie to sweeten the deal. If you've heard one of their songs from this era - and who hasn't heard Ace of Spades? - you know what you're letting yourself in for, and you know whether you love their classic sound or hate it. If you love it, there's plenty to love here. If you hate it, well, I'm not going to convince you otherwise and Bomber probably won't either.