Register Forgot login?

© 2002-2017
Encyclopaedia Metallum

Best viewed
without Internet Explorer,
in 1280 x 960 resolution
or higher.

Rehearsal 1 - 86%

pinheadlarry, November 27th, 2016

This is the second Moonblood release, and although it's not an official demo, it would be a grave mistake to avoid listening to this. Moonblood receives much praise for their 2 full lengths, but the rehearsals are largely ignored. Though these demos may be difficult to find, it is worth putting in the effort to track these down, even if you have to download them.

Released just a few months after Moonblood, this rehearsal marks a slight step up in the songwriting department, however, the production is still extremely raw. The guitars can be heard well in the slower parts, but are obscured by the other instruments when it speeds up. Similar to the first demo, the drums are difficult to make out, however, drums aren't that important for black metal, so it's not a big deal. This time around, the vocals are easier to make out, and you can really feel the hatred in Gaamalzagoth's voice. The hissing of a cassette can be heard in the background, but that's to be expected from rehearsal. This may turn some people off, but those who choose to bear through the harsh production will be rewarded with 50 minutes of pure raw black metal.

This rehearsal is mostly made up of long songs that mix epic Bathory riffs with fast Darkthrone inspired riffs. Although these influences are clear throughout the demo Moonblood gives their own unique take on this style of black metal. The songs are longer and have a bit more going on in them compared to the first release.

"When The Werewolf Howls" gets this rehearsal off to a good start, but it doesn't really pick up until the second song, "My Evil Soul". While the first song dragged on a bit in the slow parts, this one gets straight to the point, because it is mostly made up dark tremolo riffs. The slow sections are kept brief, but add to the epic atmosphere that this song creates.

Some faint keyboards are used in some of the songs. Keyboards can sometimes do more harm than good, but they are used to great effect here, as they are never at the forefront. Similar to Burzum, the keys serve only to enhance the atmosphere, while leaving the guitars as the main event. "Under The White Cold Snow" is interesting due to its opening riff. The guitars play a creepy melody that does well to create a morbid atmosphere that is much more haunting than some of the other songs. The song transitions into slow riffs that are accented by keyboards and guitar melodies played over the main power chord riffs, but the opening part reappears near the middle. This song along with "The Awakening of the Serpent" should have been revisited by this band on later albums.

The two songs that went on to be rerecorded are "My Evil Soul" and "...and the Snow Covered Lifeless Bodies". These obviously sound better on Blut & Krieg, but it is interesting to hear the earlier versions. The latter of these two sounds slightly darker on this demo as a result of the more necro production. Though they would create better material later on, the quality of this rehearsal is unmatched by most of Moonblood's peers in the German scene around this time.

My Evil Soul is an essential release for fans of Moonblood, but also for fans of grim black metal. Anyone who listens to this will understand why Moonblood is largely considered one of the best German bands. Even their early demos like this destroy most black metal, modern or not.

My Evil Soul - 85%

Noctir, May 3rd, 2013

Upon first listen, someone unacquainted with Moonblood might mistake them for some run-of-the-mill black metal band, that pumped out a large number of demos and rehearsals and split albums in relative obscurity because they were not special of noteworthy. Taking something such as Rehearsal 1 - My Evil Soul, they may only make it through a few seconds of the hissing and raw sound before giving up and writing the band off. This would be a monumental mistake for anyone that truly wishes to experience something meaningful and memorable within the realm of music. While countless bands were springing up and merely going through the motions to rip-off their heroes, Moonblood were at work in the depths of the German underground, creating something unique and powerful.

The quality of this recording is not very good, to say the least. There is a lot of static and the music sounds as if it was being played in a garage while the tape recorder was placed outside, somewhere. At times, the guitars seem to resemble ocean waves more than recognizable riffs. It is apparent that there is a lot more going on with the drumming than one might initially think, judging by the moments when things get a bit clearer. The one constant is that the vocals manage to cut through the wall of sound, with a very raspy sound. After a little time, it is possible to focus in on what is happening and to train your ear to follow along. However, this can be a little tiring, on occasion. This is the type of thing that one must really concentrate on, rather than to casually listen as background music. I rarely advocate passive listening anyway, but such a thing is nearly impossible here.

It is sometimes shocking to think about Moonblood's musical output, considering how many songs they wrote during their all-too-brief career versus how many actually made it onto proper recordings. Even if one counts the demos as official releases, there are still a great number of songs that were left behind, so to say. In the case of Rehearsal 1 - My Evil Soul, the band offers up nearly an hour of material, with only one of these songs making it onto their first full-length album, Blut & Krieg. This is a real shame, in some cases. There is a sense of inconsistency with the songwriting, here and there, but then songs such as the title track and "The Awakening of the Serpent" are much more solid than a lot of the music that their contemporaries were releasing on so-called classic albums of the period. From the eerie tremolo riffs to the majestic and sparse solos and even the subtle keyboards, everything came together in just the right way. As well, the unsettling riff in the latter half of "Under the White Cold Snow" is similar to "Nosferatu", possessing a really otherworldly feeling. Moonblood was always a band capable of unleashing very haunting and memorable guitar melodies, as if it just came very easily for them. Despite the grim and necro character that many ascribe to them, this band was absolutely not one-dimensional or exceptionally primitive. The compositions were more dynamic and complex than most give them credit for, with use of acoustic passages and a mixture of fast tremolo riffs with more epic, mid-paced sections reminiscent of Bathory. Most importantly, there is a lot of atmosphere to be found on this recording. Perhaps, some of their peers used a shoddy sound and limited releases to hide their lack of skill, but this was not the case with Moonblood. While a lot of recordings from this era sound similar and possess sort of the same vibe, what Occulta Mors and Gaamalzagoth created here really takes the listener back in time, across the centuries. Not just because of the cold and barbaric sound, but the atmosphere of the various riffs and vocal patterns, this almost seems like something that should have existed a millennium earlier. It is this ability to remove the listener from the present day and to completely transcend this filthy modern age that demonstrates just how talented these guys were.

My Evil Soul is certainly worth listening to, and it is hard to figure out why so much of this material was forgotten and never used later. Had this band been able to get a better record label behind them and to get into the studio once a year, they would surely have been responsible for countless classic black metal albums and their name would be spoken in all circles whenever the most elite and talented bands were mentioned. The material on this rehearsal is dark and epic, capturing the true essence of black metal in a way that so few ever have. One way or another, seek this recording out and give it the time and attention that it deserves. The name of Moonblood is sacred for a reason, and herein lies the proof.

Written for

An excellent rehearsal - 85%

Taliesin, October 11th, 2006

This is the first Moonblood rehearsal, as such, like much of Moonblood's earlier work,it creates the dark atmosphere I desire from black metal. Creating long epic song structures based around a primary spirit of evil and darkness, Moonblood really impress on this rehearsal, unlike other rehearsals (like the third) the sound quality is realtively good, presenting a sound that makes everything pretty easy to hear if you have the ability to understand recordings that are muffled. The sound at least is louder then other rehearsals, creating a dark hypnotic quality, wherein you can hear much of the instrumentation, but everything really combines to create an effect where all the instruments, while differentiated, also combine with one another to place the whole over the individual elements.

The songs are about evil, darkness and war, creating a lycanthropic spirit of hatred and decay, bringing about emotions that seem to master the ability to create the feeling of a cold winter or fall night, when the wind blows and the trees seem to shake with an unseen power. Like the hour of the wolf the songs desire to bring a nightmarish yet otherworldly cold atmosphere. Death seems to impress its power upon these recordings in the same way it does upon all truly important black metal albums and songs. One is taken into the dark frigid winter realm that Moonblood once inhabited.

While obviously inspired by the spirit of the Norwegians, Moonblood created their own dark world, creating from the place Bathory left off, and spiriting in a realm of their own. There is a great deal of originality here, and also a lot of unique qualities. You won't hear many other bands with this sound, except of course other early second wave bands with similar inspirations from the deepest of the dark crypts and bleak forests of the mind.

Moonblood on this rehearsal and much of their work before"Blut Und Krieg" (and a bit afterwards) seem to understand the true power and importance of black metal. They grasp the true spirit of darkness and evil that possessed all of the black metal bands of importance.

The music is in between the epicism of Blood Fire Death and the dark hateful and grim quality of the oldest Bathory. The atmosphere is obvious of the evil horror movie aesthetic of The Return or Under the Sign of the Black Mark, but with their own touches of medievalism and folk-ist beliefs. Obviously inspired by not only Satan, but the old German folk tales, a certain dark fairy tale atmosphere is present. Often one will hear pure black metal riffs connected to folkish riffs that never lose the evil presence of Satan and the coldness of the winter moon.

This is in essence everything one who truly understands black metal will look for. Dark epic song structures and a bleak sense of lo-fi production with none of the irony of many bands today, one can do nothing but be impressed by how much the folkish yet Satanic spirit is manifested upon these songs.

In essence, essential listening to true black metal spirits. To any poseurs stay away, this is true evil and true darkness, and nothing for those who do not truly understand the power and bleak darkness of true pure black metal.