With Bare Hands

Well, this may be one of those back-to-their-roots efforts, but I mean that in a bad way. I was expecting a progressive metal/rock agenda similar to Pain of Salvation or Dream Theater, but that's apparently not the plan according to Mindflow. "With Bare Hands" is basically a rock album; there's no zinger or zany metaphor in my arsenal to get that point across, unfortunately. The first implication of said-claim is the song writing, which presents itself in a radio-friendly pattern of verse-chorus structures, something this band does very poorly. The second implication of said-claim is Mindflow's universal lack of originality, and I immediately hypothesized that these guys have clearly not read Individualism For Dummies yet. Here's "With Bare Hands" in a nutshell: boring rock. Again, no punch line.

Sadly, that's it. Sixty minutes of it too. Mindflow doesn't overdub its material in ridiculous electronica, nor does the musical vehicle run into unnecessary experiments; it's just vapid rock music. There are fourteen songs (fourteen too many if you ask me) that all follow the same equation, which involves starting with a bland riff, adding dire percussion, presenting a directionless verse that builds up to the chorus, and then the chorus takes utter control of the music, and that's it. The guitar work usually wobbles between the stop-start crap dominating the alternative rock scene and some higher-up riffs one could pin on Dream Theater's behalf, although it should be noted the rock tint is the law. The choruses, like most of the record, are poorly written and unmemorable. Terrible things come in bundles, I guess.

So instead of progressing, Mindflow is regressing. That's right kids: I have coined a new sub-genre of metal! Songs are hard to write and require thought, so why try? Verses and choruses are awesome and always work, even though the band ends up sounding like Creed on "The Ride" and "Walking Tall" because the mindless rock nonsense is so dominating in contrast to the album's other colors. Technical ability? Not here dude. Life, passion, energy, maybe a hint of zest? Sorry, check back never.

In all seriousness, there is no progression here, not in any universe I know of. Ironically, Mindflow deserves some credit because this Brazilian faction occasionally shines through this dull escapade with fantastic soloing and Danilo Herbert's vocals, which are usually phenomenal. However, the relentless fiasco deserves nothing more than a solid panning by and large. Maybe a noteworthy riff or chorus emerges every ten minutes or so, but still a very feeble and deeply misguided offering overall.

This review was written for: www.Thrashpit.com

Mindflow is a slick melodic metal band from Brazil that first caught my ear with 'Mind Over Body'. Sounding close in sound to the band Pain of Salvation, the band may not have had the most original sound in progressive metal, but they executed the sound with passion and power all the same. As the band has gone on, their sound has certainly drifted increasingly towards a more accessible side of metal, and now at the point of their fifth studio album 'With Bare Hands', Mindflow has drifted almost completely to melodic, rather than progressive sounds in metal. This is not to say that the technicality has been completely abolished, but it is clear that the band is becoming deadset on a more conventional rock song format. 'With Bare Hands' may meet some unsteady ears from the progressive community as a result, but all things considered, the band offers some strong songwriting with this record. At the same time though, there are some issues which can make the album less powerful than it could have been.

As I thought originally with 'Mind Over Body', Mindflow takes quite a bit from the progressive metal giants Dream Theater and Pain of Salvation, possibly leaning a little more to the latter. Many bands are driven by the sounds of their influences in progressive metal, and Mindflow is no exception to this. It would have been nice to here a little more originality from the band though, and to a minor extent, Mindflow is developing a more steady sound for themselves. When compared to 'Mind Over Body' (arguably their best album still), the less proggy sound takes the band away from the Pain of Salvation comparisons, but does not make them any more original sounding. Instead, here the band sounds like quite a few modern hard rock bands, with the neoclassical Dream Theater riffs and Daniel Gildenlow- sounding voice to go along with it. Mindflow is still developing more of an identity for themselves however, although the more simple approach they take here is admittedly less impressive.

Although the songs are generally conventionally structured, they are well written. The vocalist here has a beautifully melodic voice that can also get aggressive when it needs to. There is not such a great variety to the music, but the songs all hold some memorable ideas going on for them. There is a dark vibe to these deeply melodic compositions, and a crisp sound to the whole thing makes it easy on the ears. One thing that I would have liked to see with Mindflow however is a more organic style of production. The drums here sound too dry, and the guitars sound triggered and far too polished, robbing the performance of some of its humanity. Luckily, the guitar solos here are incredible, and when the band gets technical, these issues fade and I find myself very impressed by what Mindflow have to offer.

'With Bare Hands' is another development for this band, and while the band may not have yet developed a truly distinct sound for themselves, Mindflow have established themselves in my mind as a remarkably capable act; be it for powerful melodies, crisp production or great musical skills, Mindflow hold their own very nicely, although there are still better albums of similar style that I would likely recommend sooner than this.