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Don't push me too far! - 87%

Brainded Binky, January 16th, 2014

"Aw, crap, it's one of those glam bands from the 80's!" I'm pretty sure that these were the words you had in your head when you saw the cover of this album with Fizzy Lizzy peering from an old crappy TV set. The fact that Lizzy Borden had tons of make up on, including silver lipstick, fake nails, and really poofy hair in his band's music video for "Me Against the World" doesn't help much, cos man, Lizzy looks absolutely ludicrous, perhaps more ludicrous than all of the members of Motley Crue combined. Looks aren't everything, however, for the album in which "Me Against the World" is on, "Visual Lies" demonstrates some serious work on music. Despite Lizzy's goofy looks, "Visual Lies" doesn't seem to have much of the cliches that Motley Crue suffers from, and, in my opinion, it's how glam metal SHOULD sound. Well no, there isn't as much bite to it as "Menace to Society" or "Love You to Pieces" had, but at least it's an album that I can recommend.

One of the first things to mention is the "power ballad". Many, if not all, glam bands from the 80's were notorious for making these horrendous Whitney Houston-esque love songs that would most likely be the most famous songs of many of those bands (e.g. "Heaven" by Warrant, or "Fly to the Angels" by Slaughter). Guess what, you're never gonna find any of that stuff here! Not a single syrupy boy-meets-girl-and-boy-wants-girl-so-bad song at all! I guess the only thing that might come even close to being a power ballad would be the title track, which is about love and is slower-paced, but despite that, it's not the kind of love song that's sweet and sugary. It sounds more like a ballad with a more ominous and mysterious sound rather than a wimpy and weak radio-friendly song. The backing vocals in the song are somewhat pleasing to listen to as well, for they sound like actual human voices instead of computerized vocals (I'm lookin' at YOU Def Leppard!). "Outcast" might be a teensy-bit close to being a ballad, as well, for it's got a slower tempo during the verses. But the subject matter of the song is rebellion, and therefore it might not qualify as such. That being said, there is no weak song on "Visual Lies". Not a single solitary one.

Lizzy Borden set itself apart from most glam bands in the fact that it tends to use songs with faster tempos (e.g. "Generation Aliens" and "Brass Tactics" on their "Menace to Society" album) and and angry-sounding riffs, and there still are traces of the good ol' Lizzy Borden that can be found here. There's the power chords in "Me Against the World" and "Den of Thieves" that give them quite a punch, but there isn't as much of that on "Visual Lies" as there are on Lizzy Borden's previous releases. There are songs on here that sound more radio-friendly, like "Shock" and "Voyeur (I'm Watching You)", but they aren't stupid-sounding, like anything Bon Jovi-related. "Lord of the Flies" has that sound too, but its riff is more of a chugging riff that has had quite a bit of effort put into it, which is why I seem to like it. They might not be all that aggressive-sounding, but hey, I'm not expecting anything Exodus-like! Lizzy Borden is a glam band, not a thrash metal band!

It might not be their best effort, nor is it my favorite album from them, but "Visual Lies" is actually a pretty good album, all things considered. Some of the songs on here are somewhat built for the radio, but they aren't catchy, stupid, sappy, or all of the above. It's an album that still has some of that bite and still has songs worth listening to. They're more catered towards the glam metal crowd, that's true, but at least they've got some potential, as apposed to Poison. "Visual Lies" is a good album, but if you're wanting to listen to a glam metal album that has some speed metal elements, try "Menace to Society".

The night is so black - 100%

autothrall, November 13th, 2009

There are a few things one has to take into account to avoid an immediate bias against Lizzy Borden. For one, they were 'glam' in the sense that they wore big hair and trashy 80s metal gear like Kiss or Poison. Second, they were a very theatrical band, and they liked their women in leather with hair as big as their own. Third, Lizzy himself, the vocalist, has a voice which can sooth like a crystal scream or wail like a siren, an obstacle for some.

That being said, they are one of the best metal bands ever produced in the United States of America, with a pretty spotless discography. With all that hairspray, I didn't want to believe it either. Sitting at the peak of this body of work, alongside the rock opera of Master of Disguise, is the excellent Visual Lies. This record has a lot in common with Menace to Society or Love You to Pieces, but it's got a cleaner, accessible sound that in no way hinders the marvelous songwriting.

Every track on the album is loaded with memorable riffs and charming vocal melodies. The guitars are expertly crafted: every hook, every melody, every lead, no wasted notes. "Me Against the World" is power metal lite, deriving its energy from the constant, steady thump of its rhythm guitars and big NWOBHM chorus. In fact, Lizzy's entire style is like a beautiful dedication to the masters of NWOBHM who paved the road for 80s hard rock. "Shock" is another another mid paced track with the huge vocal hooks and delicate, memorable guitars. "Outcast" starts with a great riff, and slows for an emotional, acoustic verse. This verse alone has better vocals in it than many bands have on their entire records...and of course, another of those amazing chorus hooks that should have ensured this band would have dominated radio play if the $$ weren't changing hands for other bands to do so. "Den of Thieves" picks up speed at just the right time on the record, and the guitar work during the verse is simply stunning, with some kickass leads to boot. This is one of my hands-down favorite Lizzy tunes, and for the power metal's fans time and money, the one you want to hear the most on this album.

The title track "Visual Lies" uses some gentle melodic picking lines to create an incredible atmosphere before the swollen, glorious vocal hooks that could easily have given Cinderella or Def Leppard a run for their money. "Eyes of a Stranger" may not be the equal to Queensryche's track of the same name, but it's an excellent melodic mid paced fist pumper. "Lord of the Flies" once again picks up the pace for some more extremely memorable speed metal. It's almost a shame that so many of the songs on the album are slower, not that they're bad by any means, but it would have been a pleasure to hear an entire album where Gene Allen and Joe Holmes were allowed to just go off. "Voyeur (I'm Watching You)" also has some delightful licks but based off more of a blues hard rock vibe. The album ends with the great "Visions" and its swinging hooks and rollicking percussion.

Visual Lies is easily the best produced album of 1987, I don't hear many albums in the 21st century that come close to sounding this good. Every note is at the perfect level and no element of the music dominates another. With a vocalist this graceful and talented, that's not an easy feat. The guitarwork deserves an award for both its restraint and the sheer amount of quality found in every track. This album is a major achievement and it's a crime the band doesn't get the credit it deserves. While not as directly heavy, the material is easily as catchy as a Primal Fear or Hammerfall, in fact it's superior.


Glammy but Solid and Overall HEAVY!!! - 98%

Noisenoir, March 31st, 2005

Lizzy has the voice, no argument here. What he needed was some good ideas to exploit it. I think "Visual Lies" is indeed the peek for his band and his career. The band's previous work was coated with brilliance but here we find it in the largest of amounts. Why? Because Lizzy actually proves that "Hair Metal" or "Glam" or whatever you want to call it can provide some exquisite songs to the heavy metal movement.

I truly cannot name a song that fails to be above medium. The guitar work is awesome, heavy and solid and some of the riffing here is the most memorable anyone could find in any genre. The lyrical themes though emotional and "sensitive" are turning in a revengeful specter. We are victims of love...yes, but we are not gonna take it!

“Me Against the World” is the hymn many would like to have taken credit for but the 'rich kid' Lizzy had what it took to compose it. Simply mesmerizing it makes you start singing from the first verse. “Shock” (without the backing vocals) could have been the epitome of U.S. Metal in those days. “Lord of the Flies” maybe not the catchiest but surely is the best song in this wonderful album and that alone says a lot, just listen to the guitar section of the song. Who can claim a more memorable and uplifting riff? The rest of the songs are varying from superb to excellent and the production is exceptional helping every song to reach its full potential.

Nobody could imagine a better album by a band with lip-gloss and you should have in mind that those were the days of Twisted Sister and W.A.S.P. therefore the competition was great. It seems like there was a theatrical competition between Blackie (in those days he used to drink "blood" from a skull) and Lizzy (he was dismembering with an axe the model of Love You to Pieces album) which pushed them both to the best of their work. The only part of the album that is rather annoying is the melodic parts that fail to add anything more than reasons for debate for the best Lizzy Borden album.

All W.A.S.P. and Twisted Sister fans are already familiar with Lizzy Borden those few remaining uninformed check (and worship) them out.