Mysticism

So this was the third full-length from Ukrainian black metallers, Khors. Originally released in 2008, here I have the latest re-release of Mysticism, complete with bonus tracks and new artwork. Their sound is relatively slower than their Swedish and Norwegian counterparts, with a style derived from Viking era Bathory, complete with added fluff as per the Pagan/Viking metal movement.

The band start the show with a soft and sombre piece, driven via acoustic guitars and icy synths; the latter of which feature prominently throughout the album. By the time the band kick up the dust they proudly march through the kingdom of the mid-paced, with crashing riffs, and a stomping rhythm. This approach is one they stick to for the most part, and in terms of pace this isn’t too far away from Demonaz, or at a push later Immortal. These guys are clearly big on the strummed guitar lines, which I feel really create a marching theme through their buzzing, minor notes.

The fluffier parts clinch the deal somewhat, with the synths feeling a little cornier than they really should. Coupled with the acoustic guitars which flow through the music every now and then, it takes the edge off what could have been some massive sounding material. I’d have much preferred Khors to dish out the monolithic Quorthon/Ice Dale/Abbath riffs exclusively, with venom intact. Still, it’s obvious an attempt at creating a mystical atmosphere was intended, and despite ultimately robbing the music of some of its bite, still comes across compelling enough.

As for the vocals, I actually quite like them, although they owe more to a death metal roar as opposed to a black metal shriek. The vocals cement the ideas put forth in the songwriting well, and certainly feel passionate, which is something I feel a lot of extreme metal vocalists skimp on. I’m not going to come out and say the vocals are fantastic or anything, because they’re not, but when Helg sings; he sounds like he fucking means it, and that counts for a lot.

When it all comes together Khors become somewhat involving, with an album that given the right mood will absorb, and invite you to plummet the depths. Whilst there was potential for this to come off towering and venomous, the end result is one of wallowing, and Mysticism feels very self concerned. You won’t find any massively catchy motifs, or a standout track to rave about, but if atmosphere takes precedent over traditional metal rhythms in your pallet; I’d say this would be a solid purchase. The metal elements are certainly there, although I’d say imagining a blend of Bathory and Woods Of Ypres would be a good indicator as to the overall sound here.

Written for http:www.metal-observer.com