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Killers Kills - 90%

StupidGenius, August 21st, 2006

After rapidly gaining a massive following from thier debut album and extensive touring that included dates headlining for Judas Priest, Maiden returned to the studio within the year to record thier sophomore album 'Killers'.

A couple of thing need to be mentioned before continuing. This album is the last with vocalist Paul Di'Anno, which is a shame because he was a truly excellent singer. It also marks the arrival of Adrian Smith, and I'm sure you all know just how important this change is to the band.

The album contains everything you'd expect from the boys; incredible basslines driving along a twin quitar attack that assaults with blistering solos on nearly every song, backed by some excellent drumming by Clive Burr, all with Di'Anno's ballsy and aggressive vocals thrown into the mix. The band throws riff after riff at you, mercilessly demanding you submit to the sheer awesomeness of it all.

The songwriting has matured by leaps and bounds in such a short amount of time, especially lyrically. Songs such as "Murders In The Rue Morgue" showcase the progression of the lyrics, while tracks like "Killers" - which feature what is arguably one of the coolest riffs ever - show how the band has come along musically. The instrumental "Ghengis Khan" is another great example, firing riff after riff at you in rapid succession, leaving you short of breath and wanting for more.

The song "Twilight Zone" wasn't included on the original version of the album, but is a cool little track that makes a great addition to the remaster. As is the case with all the remasters, 'Killers' offers up a huge boklet chock full of rare pictures and an Enhanced CD section featuring videos for "Wrathchild" and "Killers", two of the albums best tracks.

'Killers' continues right where the debut left off, paving the way for the NWOBHM. Quite possibly one of the band's strongest releases, it shows enough progression to keep the formula from getting stale, and every step the band takes forward in the album is for the better. A very solid release, this classic belongs in any self-respecting metalhead's collection.