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Hovert > Sol > Reviews
Hovert - Sol

Hovert - Sol - 92%

Edmund Sackbauer, March 18th, 2020
Written based on this version: 2019, Digital, Independent

There is a lot of hype surrounding black metal coming from Iceland or France these days. However, I would argue that Russia can easily compete on that front, with tons of interesting bands and releases having their origin in the country of big Boris. One of my favorite examples is Hovert, a one-man project by Alever. Having discovered the band via the full length debut “Больше ничего“ I felt the urge to follow the progression of this project.

After some splits and EPs Alever has finally released album number two called “”Sol” in 2019. At first an independent release, the quality of the music has not gone unnoticed, leading to Hovert having been snatched up by Talheim Records, who have just re-issued this album as noble digipak.

Presenting riff and melody-forward black metal with more than a touch of atmospheric/depressive lean, Alever has once again churned out more than solid content. In many ways this is an accomplished continuation of the established sound of the debut, but that is in no way intended as a slight. Alever has perfected his atmospheric black metal sound here, resulting in what may very well be his best and most mature material to date.

If you count yourself among the many that like your black metal varied in composition and expertly performed, “Sol” will give you everything your heart desires. This record balances heft and dexterity perfectly, churning out chunky riffs that never cease to carry distinct, ear-worm-inserting melodies that will stick with you long after it has ended.

The guitar work is switching between stoic parts and faster and more aggressive sections. There is a certain melodic factor in the music but not so much at the surface, but subtly woven into the overall sound, often dwelling in the background. There are some slower pieces where the slightly melancholic guitar sound helps creating an eerie and brooding atmosphere. Some of the harmonies and haunting melodies are outstanding and will not get out of the listener’s head after having heard them a few times.

Rounded off by a fitting production and an interesting choice for the artwork shown on the cover and in the booklet this album should find its way into the collection of each open-minded and forward-thinking fan of black metal.