Luminosity

Post-metal tends to be a funny thing for me. It's not something I've actively pursued in my listening diet for at least a couple years, but the bands and albums I hear, I tend to love more often than not. My potential interest only multiplies when the genre is fused in part with black metal. Given that the two rank among the most atmosphere-centred subsets in metal, it's altogether surprising that more artists haven't opted for a fusion of the two, keeping very much in mind that most of the stuff that gets labelled 'post-black' is sleepy blackgaze- a worthy avenue in its own right, but not at all derived from the atmospheric sludge sound post-metal tends to be synonymous with.

Poland's Hegemone have seen fit to tackle this potential stylistic goldmine with their 2014 debut Luminosity. Like my personal favourites Altar of Plagues (or, to a far less atmospheric extent, Tombs) Hegemone fulfill the expectations someone might have with either styles. There are many times throughout the album where I'm reminded of Cult of Luna, whose Somewhere Along the Highway arguably represents the best of what post-metal has to offer. The black metal is just as apparent; though the production might be a tad too meaty to warrant a direct comparison, the cold ambiance and fuzzy consonance of the Second Wave atmospheric bands can be felt on Luminosity. Without dwelling unnecessarily on the question of genre, it's promising to hear a band this relatively early in their career, who have the confidence to blend styles without sounding the slightest bit contrived. Even for two genres as intuitively paired as post and black metal, no fusion comes without the need to make some choices. Clearly, Hegemone had the conviction to make the necessary compromises. In doing so, I think they've carved out a hefty sound for themselves.

While Hegemone aren't quite as impressive with their composition as they are with the foundation and execution, they cover a solid amount of ground on Luminosity. "Diurnal" opens with a shrieking hum (everytime I listen to the album, I get the initial split-second impression I've just put on a proper noise record) before diving into Hegemone's most well-rounded fusion of styles. "The Hunt Within" at first begins sounding like the band are going to highlight the riff-centricity of sludge, but it devolves into a more sombre atmospheric instrumental, highlighted by a strangely out-of-place layer of saxophone. The thirteen minute closer "XXXIX" is arguably the strongest part of Luminosity; I'm reminded of the pummelling dirges many bands like Cult of Luna have used to caboose their own work.

While it only takes up a small part of the album's length, I feel attention should be brought to the use of saxophone on Luminosity. Hegemone otherwise feel like young would-be masters with the applied craft of their sound, but throwing a sax into the mix feels awkward and contrived. It's not an issue of irreconcilable styles, but the application itself; Ihsahn(for example) wrote in sax at the end of his third solo record After in a somewhat similar context and it sounded amazing. I only bring it up because Hegemone nail their execution otherwise.

Marcin Szpot has a perfect growl for this sort of music (once again, falling roughly dead centre between a black metal snarl and rough yowl typical in sludge); the aggression befits every avenue Hegemone chooses to explore. Although what is being said is rarely so important in metal as how it is, I can't help but feel disappointment that Hegemone's lyrics (replete with ESL-variety grammar-bending) offer so little substance. A quick look at the CD booklet reads like a pedantic grocery list of orphaned thousand dollar words. There are attempts at imagery, but the verses feel incredibly stunted and contrived. Hegemone switch gears by the final track "XXXIX" however; switching to their native Polish tongue, I imagine they have much better luck weaving a strong lyrical tapestry; lyrics don't really help or hinder the practical listening experience, but it's a worthy-enough issue to mention.

Barring the few aforementioned hiccups, Luminosity is a great kind of debut to hear from a young band. So many bands (including many that we now acknowledge as masters) begin their careers with only a notion of an idea what they want to do, and even less of a grasp of how to do it. For Hegemone, the riffs aren't quite memorable enough, or the build-ups climactic enough to have made their debut any sort of instant classic, but Luminosity nonetheless sounds like the work of artists with a mature grip of sound and style. It's a rare thing to hear on a debut album, and I wouldn't be surprised if Hegemone impress me even more on any prospective follow-up material.

Originally written for Heathen Harvest Periodical

Maybe I am not the biggest and most fanatical fan of post metal in general, but I do admit to like this style, to like that sound and exceptionally good atmosphere of such music. There are some bands like Russian Circles, Pelican, Isis, Long Distance Calling, Fleshworld and some more, which I just can listen to all day long. And there are obviously also quite few outstanding black metal bands, which combine the post metal playing and mood with black metal characteristics – something I also like a lot also and find so special. So, I am not a stranger to this whole style and I am also not someone who feels disgust for the more progressive side of this music – and I write that as I know that there are some die hard antagonists to such progressive side of the extreme. Which is not my headache and problem. But I got immediately interested in Polish band called Hegemone, when they contacted me to review their debut album “Luminosity”. So, I spent last six or seven days on listening to this CD and I must admit it was a great pleasure and a very good experience.

I think that “Luminosity” is not an album, which will bore you, as there are so many surprises, so many specials in every song… Sure, the whole thing is mainly about building the atmosphere, the proper feeling, with great, well built song structures, long instrumental passages, etc, but it’s also properly aggressive and even harsh in some moments, so I think it’s not an album for post (black) metal fanatics exclusively and maybe more people will be able to find something interesting in it. Which I hope will turn this way and provide Hegemone a lot of attention - with “Luminosity” they certainly deserve it! Anyway, as mentioned before, I see this album as some truly worthy and impressive piece. Ever since the first listen, Hegemone caught my attention and I have listened to the whole album many times now, every time with a great interest.

As mentioned before, one of the main characteristics of “Luminosity” is its great diversity and the careful setting up of the atmosphere. Take the first two songs now; “Diurnal” opens the album in quite harsh way and it is a very good opener indeed. The tempo is rather slow, the riffs seem to crawl in the murky surrounding; stylistically it is very close to some post black metal bands, so I have been hooked immediately. But then there’s really outstanding piece titled “The Hunt Within”, which is over seven minutes long instrumental track, filled with killer post metal riffing (which actually seems to be quite simple and almost monotonous, but not in negative meaning of this word, but rather as mesmerizing), which build the tension perfectly… and the real highlight of the song is use of the saxophone, which adds something truly sick and twisted to it. But damn, I like it a lot. This is one of the main reasons, why I like this whole style of extreme music… sometimes you don’t even need the vocals, if the riffs speak for themselves and generate almost sort of hypnotizing mood. And that is exactly the case of “Luminosity” and this instrumental song especially. But of course there are even more truly great parts and surprises on the album. “Away From the Sun” for that case begins with slow, atmospheric part only to be surpassed by a fast, almost classic black metal riff! Maybe some listeners will say that blasting part can destroy the atmosphere of the music, but I don’t think so and definitely “Away From the Sun” is one of my personal favourites on the album. But even more I like “Lowborn” – what a great combination of heavy riff and melancholy, with some gloomy sounds of keyboard. Finally the album is summarized by “XXXIX”, which is also the longest track (with over 12 minutes on the clock!) and also the most epic, I suppose – just listen to how it is built, especially in the beginning.

I am not saying that “Luminosity” is a perfect album, as there can always be some better songs, better arrangements… maybe Hegemone can concentrate even more on the long, instrumental parts, maybe they can add some clean vocals… who knows what plans the band have for the future. But I know one thing – “Luminosity” is damn solid and good debut CD. I am very pleased with it, I have enjoyed it totally, so my sincere congrats to the band for releasing such a good debut. I definitely will recommend Hegemone to all and will keep my eyes open on the future of this band!

Standout tracks: “Diurnal”, “The Hunt Within”, “Lowborn”
Final rate: 80/100