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Gatekrashör > Fear of Attack > 2013, Digital, Hard and Heavy Records > Reviews > Neheroth
Gatekrashör - Fear of Attack

Posers Need Not Apply - 82%

Neheroth, April 2nd, 2019
Written based on this version: 2013, Digital, Hard and Heavy Records

Canada, land of winter, maple syrup, hockey and unrelenting speed metal, that'll smash your skull and suck the brain matter out with a chromium straw. Razor and Exciter set the scene ablaze in those fabled years of denim debauchery and Gatekrashör is here to continue that legacy; keeping the black flame burning and stoking it high with posers for fuel. Taking their name from a classic Razor tune; these guys aren't here to break the mold, transcend the genre or open minds with philosophical concepts. No, they have only one goal; to crash into your eardums at sonic speeds beyond the realms of common decency.

Fear of Attack were Gatekrashör's first true artillery barrage onto the scene. Building on the demo and a couple of splits, the band refined their sound further and the result is this refreshingly old school release that takes no prisoners. Opening with the bombastic "Blastwave", Gatekrashör waste no time in unleashing a furious fulmination of dirty speed/thrash riffs coupled with charging bass lines, pulsating drums and vocals choked full of vulgarity. There's a warm fuzz to the production that suits the music perfectly, practically making the release sound as if it were recorded live; dirty and dissonant are the main orders here, with no fucks given.

Typically with these sorts of modern speed acts, the riffs are the main thing to attract, but I find the drums take the main stage here. Aptly named Jackhammer, the drummer weaves a surprisingly eclectic mix of straightforward speed/thrash drum patterns with a salvo of splashes and crashes that border on insanity, "Speed Metal Hammer" being the prime example of his work. That's not to say the guitar work is sloppy, not in the slightest. Steel Avenger is truly a gifted guitarist and would go on to pen amazing work for Hrom and, especially, Traveler, but these are still early days for him and it shows. The riffs are impressive, especially on "Fear of Attack", but I find they can sometimes get lost behind the rest of the madness Gatekrashör is generating. The thundering basslines provided by Speed Deceiver are savage and man can the bastard hammer those strings; blasting away in a vitriol of fuzz and tank tread distortion and his work is best heard during the guitar solos. These solos are where the guitar shines best and the relentlessly old school nature of their composition, "Heavy Metal Rangers" being the most prominent, really gives Fear of Attack its principal character.

Speaking of character, vocalist Slutfukk (The Powerhead), who has one of the most metal monickers in all of history, oozes a metal charm that is rare to find amongst today's frontmen. His vocal style is more akin to rabid spoken word than any real style of singing, but this only works in the mans favour as he punctuates his litanies of speed with evil laughter, shrill falsetto shrieks and vicious hisses. The overall thematics of Gatekrashör follow a similar vein; the biker sample at the start of "Date with the Devil (Hot in Hades)", the artillery salvo sound effects and the GG Allin style ramblings that precede "Heavy Metal Rangers" all create a collage of street metal warmongers who only seek to devastate their listener into an early grave.

Fear of Attack is a spectacularly nasty speed release and one of the best in the last decade. Fans of Razor, Whiplash, Ranger, Stälker and Speedwolf will find themselves right at home here amongst the ruins of the Canadian wasteland. Anyone looking for lengthy, intelligent, poignant or thought-provoking sounds; look elsewhere, for the level of leather on display here would void your bowels quicker than a switchblade tearing through your abdomen. Gatekrashör is for the few still chasing the true sound of old; riffs, booze, deviltry and the worship of speed. Needless to say, posers need not apply.