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Flaming Tusk > Old, Blackened Century > Reviews
Flaming Tusk - Old, Blackened Century

This shit just rocks - 86%

atanamar, May 10th, 2010

The Flaming Tusk Myspace page lists them as “Metal/Metal/Black Metal,” but that equation can't possibly be accurate. In fact, dissecting the influences here may be computationally intractable, and that is a wonderful thing. Flaming Tusk have a truly unique sound.

My first point of reference on Flaming Tusk has to be Enslaved. I get the same satisfying sense of weirdness that emerged the first time I listened to Mardraum. Those feelings of curiosity, groundlessness and amazement are rarely invoked for me by metal these days. Old, Blackened Century has violently appropriated my attention, much like Cobalt's Gin did last year.

I'm in the middle of reading Richard Dawkins' incredible “The God Delusion,” and I've got Darwin on the brain. Flaming Tusk's music is so interesting that I have to wonder at the evolution of their sound. Tracks like “Anathema” possess the riff aesthetic of early Mastodon, but with more focus on the NWOBHM melodics (a la “March of the Fire Ants.”) At other times, I get the demented vibe of recent Darkthrone. The hoarse guitar tone and strange rhythms evoke hardcore in ways I can't articulate. A more well-rounded listener might be able to delve into the hardcore lineage of these tunes.

Old, Blackened Century never moves faster than a mid-paced lumber, with no blasting in sight. The drumming is perfectly adapted to the odd rhythms and is curiously uninterested in speed. The lack of velocity intimates that there must be some doom influence at work, but I can't pin that down.

The two guitars rarely seem to agree, and it sounds fantastic. There are all sorts of memorable riffs in here, along with some nice pseudo-bluesy and bizarre solos. The guitars don't sport spectacular crunch, but the product is still satisfyingly heavy. These riffs will almost certainly burn themselves into synapses and make your head bang. The fully audible and driving bass is integral to the songs. The excellent bass sound shows how great the mix is; I love the production. It doesn't sound like there are any overdubs on the guitars, adding to the pleasantly undercooked atmosphere.

The charismatic vocals come from the Grutle/Abbath school of froggery, with some deeper gurgling to be found throughout. After listening to this a few times, my throat starts to hurt out of sympathy for the shredded vocal chords.

The songwriting is superlative and certainly one of Flaming Tusk's greatest assets. The lyrics are great; it's typical death metal imagery, but flavored with a poetic sauce and hints of hardcore disgust. When was the last time you heard someone scream “HO CHI MINH KISSINGER” in the middle of a black/death metal song? “No Smiles” is a fucked up and enthralling tune; its 8 minutes just seem to fly by. Most of the tracks are long, but diverse. Amazingly, nothing sounds out of place here, and the songs manage to hold my attention well.

My only small gripe with Old, Blackened Century is that the last track, “Icy River,” kind of degenerates into a free-form jam. While not a big deal, it sufferers the same lack of focus that pervades the most recent Enslaved albums. Thankfully, the cool hammered-on riff that develops part way through stops the song from completely losing me.

Flaming Tusk are distributing their album through Bandcamp, the same way From Exile did last year. For all the discussions going on about digital distribution of albums, I think Bandcamp is the only site doing it right. First off, you can listen to a stream of the entire album. Then, you can download the album and pay whatever you want, with no minimum. This completely eliminates the desire someone might have to seek out an illegal download of the album. Lastly, and most importantly, Bandcamp allows you as a consumer to choose any format for your download, including lossless (FLAC). This is the only way I'll spend money on a downloaded album – I can burn it to CD with no loss of quality and convert it to any compressed format I desire (I use the open source OGG format for portable music). So congratulations to Flaming Tusk, you chose your distribution channel wisely, and I paid $10 for your album.

Old, Blackened Century is sparse, raw and just what I need at the moment. Most new bands these days sound like poorly stitched Frankenstein monsters of metal methodology. Flaming Tusk are a fully evolved beast with a distinct and appealing sound. This shit just rocks. Old, Blackened Century is definitely worth checking out.

Originally posted here:

Alright, who left the asylum back door open? - 75%

autothrall, May 10th, 2010

Time to face facts. Metal is such a massively oversaturated realm, with many thousands of artists stacked into each of its constituent genres, that even the majority of artists exploring its most extreme wings feel tired and conventional these days, unless a band is simply superb at what they do. Black, death, doom, grind and sludge have all come and gone, come again in endless cycles, and it's left to a newer, younger generation of bands to transcribe some novel translation of their influences. Some do this by attempting to tread grounds so extreme that others simply haven't dared them. Others fuse styles beyond the norm. And a third category simply take a bunch of their favorite metal genres and soak them together in an acid bath.

Flaming Tusk is a young New York band that fall into this last group, but they do it fairly well, fusing together sludge, thrash and classic doom metal influences into a tireless riff-o-rama dowsed in the gasoline of grunts blunt enough, and snarls cutting enough to sate most entities and extremities. The entire band use strange stage names like vocalist Stolas Trephinator, drummer Dumnorix Xristophage and bassist Scheidaar. I don't get it, and you don't need to. They've here written a pretty tight debut showcasing their potential, which rests heavily on the killer riffing of Don Blood and 'Zosimus'. Seriously, these gentlemen can groove, and though many of their riffs recall the primal, morbid ascensions and declensions of an old Slayer, or the more creative sludge of The Ocean, Cult of Luna or the later Isis records, I'd say on the whole what they evoke is quite an original trip, worth taking even if the vocals require a little adjusting (unless you're already into extreme sludge like Soilent Green or Eyehategod).

Flaming Tusk is capable of both morose, spatial composition and a more savage veneer. Tracks like the melancholic, droning "Icy River" or the flowing, post-hardcore of "My Red Sun" exhibit the band's slower, tumbleweed mode, ridden with bombastic bass pomp and effective, drudge riffs that feel like an endless day of toil as some backwoods swamp logger. The band can also kick up a dusty haze of glory as through the melodic winding of "Anathema", or the dark, lurching rock of "Instability". But I found myself drooling most over the heavier, crashing thrash and burn of "Cillaightfearn" or the crushing, abysmal-tongued power groove of "No Smiles", which plays out like an armada of hellbilly circus freaks as they burn the goddamn Earth to ashes, 'Stolas Trephinator' going overboard at 2:30 with an insidious spoken word fill that had me both laughing fiendishly at the absurdity and clawing my own eyes out in terror. "I Nap in Blood" is another harrowing tune with its bright, leering dis-chords and surges of dire speed.

The band will probably be pigeonholed most into the sludge category, but I feel like they could hold an appeal to fans of bands as wide as Mastodon, Rosetta, Baroness, Isis and the obscure Kinghorse, though the vocals here resemble only the heavier on that roster, and in fact, feel far more organic and extreme within this band. I'll admit, Trephinator took a little getting used to, despite a long history listening to and enjoying a great many rasped and guttural front men, but in time I grew to accept them alongside the mesmerizing riff patterns, and it seems this would be pure horror in a live setting. At any rate, the band is offering this album with a 'pay as you will' option, so there's no excuse not to check out a few samples. If you're seeking a relatively fresh alternative to any of the bands I listed above, they may just have your ticket.

Highlights: Icy River, Cillaighfearn, No Smiles, My Red Sun