Gradwanderer

Anyone who is familiar with Enid's previous albums, probably know about their interesting medieval and symphonic take on Black Metal. I would say this album represents everything that Enid has worked for thus far, and brings out styles that I would have never thought I would hear on an Enid album. Enid take us on a much less aggressive, but more stylized journey this time around.

Of course this is still a metal album by the way. This album surly deserves some praise for its metal compositions such as the title track, and the symphonic influence found throughout. You just never really know what to expect, which is what kept my interest. Martin Wiese's voice maybe something you will have to get used to, but the harmonies (like on the previous albums) shine oh-so bright. The harmonies of Martin Wies are just beautiful on this album. Although his previous album "Seelenspiegel" had plenty of choral parts, it also demonstrated Martins black metal voice. This album however is mostly a mix between operatic male vocals, harmonies and just clear singing.

Veteran fans of Enid should really embrace this change, as this album will probably go by as somewhat of a lost gem of experimental/avant-garde. It seems that Enid simply wanted to change. To lower the aggression this time around, and delve deeper into the experimentation already established on their previous records.

The only little complaint I have is "Die Seelensteine." Its over fifteen minutes long and comprised of somewhat repetitive songwriting. although it sure kept my attention for a few minutes, it simply dragged on too much. Besides that, metal fans with an open mind should give it a listen. This is truly a gem that isn't the easiest album to find, but an album that sure won't disappoint those with broad musical tastes, and those who would like to hear the more progressive side of metal.

This album screams potential, I just hope these guys plan on releasing a new album, as it seems to be rather difficult getting any information about this group.