Elis' extended play Show Me the Way was released to accomplish two tasks at once: bidding former singer Sabine Dünser farewell and welcoming new singer Sandra Schleret.
The title track was one of the catchiest tunes from the very good previous studio album Griefshire. It was recorded again with new singer Sandra Schleret and exists in a full version and a radio edit. The sound is a little bit crisper here and focuses more on powerful guitar riffs than atmospheric elements. This is a welcome change since Sandra Schleret sounds more energetic than Sabine Dünser as well. If you prefer the gothic side of the band, you will prefer the gloomy original version with Sabine Dünser but if you care about the metal side, Sandra Schleret's powerful performance might be your favourite. The band made the right choice by opting for a singer with different qualities instead of finding someone who would simply attempt copying Sabine Dünser's unusual atmospheric style.
This release includes three tracks recorded by the former line-up during the Griefshire sessions. ''Salvation'' surprises with choral elements as the atmospheric female vocals are supported by energetic, epic and melodic male choirs. Crisp growls add further diversity. This is also the kind of track that could come from Leaves' Eyes. It's probably the greatest of the three unreleased tunes.
''These Days Are Gone'' focuses more on symphonic elements and sinister guitar sounds that make for a mid-paced gothic metal tune that goes back to the genre's early era in the early nineties. It slightly recalls the style of Theatre of Tragedy. Genre fans will certainly like this song even if it lacks a truly catchy, imaginative or memorable element.
''In einem verlassenen Zimmer'' is a ballad focusing on harmonious vocals, string sections and harp sounds. Everything sounds appeasing, dreamy and timeless until the horrible electronic drum patterns kick in. They don't fit at all here and the song would have sounded much more efficient without them.
In the end, Elis' Show Me the Way is obviously the band's least essential release but it isn't a bad output either. The two new versions of the title track aren't of much interest but the three final tracks featuring Sabine Dünser should please genre fans with ''Salvation'' being the best track here. If you like atmospheric gothic metal and can get your hand on this rare extended play for a fair price, don't hesitate to purchase it.