Griefshire

After the tragic death of Sabine Dünser one could expect that this posthumous album was really going to be a bit overrated. But on the other hand, in comparison to their previous works they visibly improved their style. I would say that it is quite a brave and succesful step in their musical output, the best of their effort so far.

The concept of album is a story of two brothers dealing with religious fanaticism inside the sect formed in a small dark town. Therefore, the band tries to paint this picture by giving even a more desolate atmosphere to their typical heavy / trashy gothic sound. Moreover, they decided to add a flavour of string instrument to support it (but don't expect too much, it's only the spice thrown in to make an epic effect). Still, the result is above the expectations - if you heard their previous works. Because of the concept the songs seem to be more connected, they form a solid unit.

The beginning of this piece is grand and swift, however, in the middle of the album it tends to perish leaving the listener a bit tired. Still, in the end it rises and gets born again. Apparently, the strongest point of Elis dwells in those heavier and faster songs, when slowing down, they become quite monotone. The guitar craft of Streit and Gruber is exactly what keeps "Griefshire" going on, not Sabine's vocals. Yes, she sings pretty well and her voice fits the music, but sometimes it truly falls deep into the average.

Overall, it's a well done work with both weak and high points. Nevertheless, it carries a peculiar essence, which persuaded me that Elis can still bring something interesting to the gothic scene. "Griefshire" is a perfect album for the lovers of pure gothic metal and a nice light appetizer for anyone who's into melodic metal.