Register Forgot login?

© 2002-2020
Encyclopaedia Metallum

Best viewed
without Internet Explorer,
in 1280 x 960 resolution
or higher.

Privacy Policy

Dying Inside sounds about right - 50%

Zerberus, June 2nd, 2013

There aren't many metal bands from Nicaragua. It's often the case with bands from a country that has a low export of metal that the band will be immensely awesome or suck beyond belief, but with Dying Inside none of those two scenarios are the case. Dying Inside's first studio album "Dystopia" is melodic death metal with more of an emphasis on melodic than death. They follow certain Swedish traditions but aren't as such a band directly inspired by the Gothenburg scene.

A fair use of powerful drums makes for some equally powerful metal, and there are times when the headbanging factor reaches critical mass, in no small part thanks to heavy and simple processions of guitars, bass and drums. These headbang-friendly parts are by no means rare on Dystopia, but at the same time aren't used to their full potential. It's like they are building up a mood and hinting at a coming climax, but the climax is just never truly achieved.

This is a running theme on Dying Inside's debut. They've got the groovy parts down for sure, but it feels as though the band aren't able to properly feed on the energy of these parts to make an immersive track. Dystopia is a rather long effort. 11 tracks coming to a total of just above 50 minutes isn't incredibly much, but it comes off as bland. There are some issues with the drumming, meaning that when things do get a bit fast they come off as mechanical. This is especially the case with the blast beatin El Ritual.

It's not that I have something inherently against melodic death metal. There are a few fairly good melodeath bands out there (none of which are from Sweden), and Dying Inside does have some easy-to-follow grooves and riffs, but often the songs on Dystopia are taken down a notch by unnecessary synths and a lack of feel for flow. The whole thing is a bit lacking in "wow!" factor and lacks variation. They keep to their speed-wise comfort zone throughout the album, and their fear of reaching higher (or even lower) BPMs makes for an unvaried journey into the heart of Nicaraguan metal. After listening to Dystopia I found that I, too, was dying inside.

Originally posted on