Released in 1994, Awake is a pivotal album in Dream Theater’s discography, marked by a notable shift in tone and style. Building on the success of their previous release, Images and Words, the band explores a darker, heavier sound that reflects the evolving musical landscape of the early 1990s. This album not only showcases Dream Theater’s adaptability but also highlights their willingness to experiment and push boundaries.
One of the most significant changes in Awake is the introduction of John Petrucci’s seven-string guitar, which he uses on several tracks. This new addition to his arsenal lends the album a heavier and more aggressive sound. The deeper tones of the seven-string guitar contribute to the album’s darker and more brooding atmosphere, distinguishing it from the more melodic and upbeat feel of Images and Words. The overall tone of Awake is somewhat influenced by the grunge rock movement, which was at its peak during the album’s release. This influence is evident in the album’s darker, more introspective vibe. The grunge era’s impact is felt throughout the album, contributing to its heavier and more somber atmosphere.
Among the album’s standout tracks is "Erotomania," which many consider the best instrumental progressive metal piece ever written. This track is a tour de force of complexity and creativity, featuring a wealth of catchy themes, intricate guitar solos, and masterful arrangements. Despite its complexity, "Erotomania" remains highly enjoyable and inspiring, serving as the first part of the "A Mind Beside Itself" song cycle. This three-part suite showcases the band’s ability to blend technical prowess with compelling musicality.
Following "Erotomania" is "Voices," a track that stands out for its atmospheric and dynamic qualities. The song features dramatic contrasts between loud, intense sections and softer, more introspective moments. James LaBrie delivers an outstanding performance, navigating the song’s emotional range with remarkable skill and depth. The final piece in the "A Mind Beside Itself" cycle is "The Silent Man," an acoustic track that offers a soothing contrast to the album’s more intense moments. The gentle, introspective nature of "The Silent Man" provides a reflective end to the cycle, serving as a calming conclusion to the intense experience of the preceding tracks.
Another highlight of Awake is "Innocence Faded," which features incredibly catchy vocal melodies and flawless instrumental themes. This track exemplifies Dream Theater’s knack for creating memorable hooks and intricate arrangements. Both John Petrucci and Kevin Moore deliver exceptional performances, with Petrucci’s guitar work and Moore’s keyboard contributions weaving together to create a dynamic and engaging piece. The blend of captivating melodies and sophisticated instrumentation makes "Innocence Faded" a standout track on the album.
Kevin Moore’s presence on Awake is somewhat subdued compared to his prominent role on Images and Words. The album lacks the fast, upbeat synth leads that characterized its predecessor. Instead, Moore’s contributions are more restrained, focusing on creating a darker, more atmospheric soundscape. Despite his reduced prominence, Moore’s influence is still felt throughout the album, particularly in the closing track.
The final song on Awake, "Space-Dye Vest," is a notable highlight and was entirely written by Kevin Moore. This track is marked by its dark and pessimistic lyrics, reflecting Moore’s departure from the band before the album’s mixing was completed. "Space-Dye Vest" serves as a perfect closing track for an album with a brooding and contemplative vibe. The song’s somber tone and introspective lyrics offer a fitting conclusion to the album’s overall emotional journey.
Unfortunately, after Kevin Moore’s departure, Dream Theater's music, while still maintaining a very high level of technical proficiency and creativity, never quite recaptured the original magic that characterized their earlier work. Moore’s unique contributions were a significant part of the band’s sound, and his absence left a notable void. The band’s subsequent albums, while still inspiring and well-crafted, reflect a shift away from the distinct sound and atmosphere that Moore helped define.
In summary, Awake represents a significant evolution in Dream Theater’s sound, characterized by a darker tone and a heavier musical approach. The album’s exploration of new sonic territories, coupled with standout performances and intricate compositions, solidifies its place as a key release in the band’s catalog. Despite the loss of some of their original magic with Moore’s departure, Awake remains a testament to Dream Theater’s ability to adapt and innovate, delivering a rich and compelling listening experience that continues to resonate with fans of progressive metal.