D.E.V.O.L.U.T.I.O.N.

Jesus, these guys are still around? Over twenty years of legendary thrash, putrid decline, and shocking revival all equate the lifespan of Destruction’s epic frontier that finally comes in full circle with “Devolution,” another lesson in heavy metal by its masters. Obviously, there can’t be any doubt this album will never contend against Destruction’s prime releases that eventually played an important role in thrash metal’s rise; they’re on a path to resolution, but one that is fantastically coordinated. Acting a little older might have its downsides, but “Devolution” still delivers Destruction’s metallic attack that can cause more damage than Michael J. Fox performing a lumbar puncture.

Of course, many will see Destruction’s later-day record as total thrash, no gimmicks whatsoever. However, that is not a reasonable conclusion found within “Devolution.” The riffs, for example, are primarily made of speedy chops compressed on traditional metal steel with mid-paced irons scattered about. But please, do not instantly label Destruction as another groove-laden abomination, because that idea has no foundation. Most songs are catchy, heavy, fast, and enjoyable for what each chord offers, albeit the differed approaches; obviously a few thrash cuts here and there, yet other influences dominant the release. Take a guess who returns once again, or do you already know? Ah yes, we’re so glad you’re back, Marcel Schmier! Sure it was only a few years since you departed, but we missed those high-flying screams and trophy-worthy vocals that created your dynasty. “Devolution,” although older, still provides admirable shouts typically detected throughout the thrash identity. I mean, he’s Schmier. Were you expecting any less?

On this same level of consistency, Marc Reign slams every piece on his drum kit, nailing hyper patterns and applying crazy fills constantly. Alas, solos are everywhere: fingers are flying down the strings, ripping out hearts with no mercy. Destruction has changed, yet at the same time, has not. Well, perhaps they get out of control on occasion, or look into repetition that could be viewed as a meandering quotation alongside poor musician. You know, hunting for substance within bland, repetitive notes like “Offenders of the Throne” won’t yield successful results, so I’d call the track unnecessary filler at best. Thankfully, that sole anthem stands alone in terms of negativity, which means we’ve got nine cuts left over, all continuing this proud legacy with skull-crushing mastery.

I’m sure Schmier and his fellow thrashers can once again rest easy knowing they are not dragging their wonderful status through mud with another enjoyable release covered in distinct formulas and swell instrumentation. Needless to say, “Devolution” contains a kink that could use some oil, but the record contributes delightful heavy metal that’s consistent, evil, and certainly awesome. These German gentlemen are at the top of their fame once again, also while allowing new touches in their bright picture for a lasting effort we can all enjoy, and still cherish after countless listens. I can only give you one warning: head-banging will initiate.

This review was written for: www.Thrashpit.com