Symbolic

For most metal albums, it is possible to decipher typical riff structures, typical transitions and other "standard" song-writing techniques used in them, even if they sound "unique". I've heard extremely few albums that have made me wonder "How the hell did he come up with that riff/transition?" as Symbolic, Death's sixth release. And that's what it is in my opinion - a songwriting marvel. Most riffs are great - some are pure amazing without being overly technical - but the sheer creative genius of front-man Chuck Schuldiner lies in the way everything is blended together, amalgamated into well-structured songs.

For example, the title track is comprised of a host of great riffs with varying tempos, and one seamless transition after another only serves to greatly enhance the overall song. Every song on the album is like that, rather than just being a collection of cool riffs or solos. All the tracks have ample lead guitar work, apart from the solos, which adds a nice touch to the underlying rhythm work. A stand-out in this regard is Crystal Mountain, which is so replete with outstanding lead parts (especially the god-like tapping harmony just before the solo) that it has become the clear favorite for a majority of people.
Even if one disregards the rhythm work, the solos by guitarists Chuck Schuldiner and Bobby Koelble are both technical and tasteful. They have distinct styles and it's always a pleasure to listen to them trade-off in the middle of songs (highlights in this regard being Perennial Quest and Zero Tolerance). One last thing I'd like to mention for guitars are the acoustic parts at the end of Crystal Mountain and Perennial Quest; in my opinion these 2 songs give a very good example of how death metal can be "soulful", and how acoustic guitars can be incorporated into death metal songs.

I cannot comment much on bass (limited knowledge regarding that), but the drums certainly need a mention. Gene Hoglan managed to come up with ridiculously catchy drum beats that aren't merely complementary to the guitars. His drumming has a distinct identity without being over-the-top in any department, be it in terms of cymbal work, fills, etc. By itself, Hoglan's work adds a lot more to the songs than standard death metal drumming would. Again, the title track is a good example - the drum parts accompanying all the riffs give it a great sense of speed variation. Like the guitars, the drumming is tasteful throughout, with appropriately-placed fills, double-bass parts and -especially- the ride cymbal usage.

I apologize for not writing about the downsides, but with whatever subjective preferences I have, I really haven't found any faults with this album. Others may, depending on their tastes. From my side I would strongly suggest at least giving it a listen, because once it grows on you (if it needs to grow on you), it's hard to put down.