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Dèigh - 20%

Zerberus, August 14th, 2013

Spain has its fair share of black metal bands, but hardly any have ever achieved any form of international success. From Madrid comes Dèigh, a musician focused on creating "abrasive black metal". Dèigh released a demo in 2012 entitled No Life Flickers, and Nothingness, I think, is supposed to be one of a few tracks featured on a new EP with the same name.

Whether the 5:40 minutes long track is supposed to be the entire EP or just one track from it is a little unclear at the time of writing. I'm pretty sure 5 and a half minutes doesn't quite qualify as an EP, and if you could at all justify calling it such it would be because the track itself could well be separated into two parts. The initial part of the song is ripe with distorted guitars and is by far the most active part of the track, whereas the latter part of Nothingness is dominated by clean guitars and crash cymbals.

There are several things worth talking about regarding Dèigh and Nothingness. I don't exactly know where the "abrasive" tag fits in, because all I hear is poorly written and sloppily executed bland as fuck black metal. Nothingness does not possess the atmosphere and feeling a slow track can produce. It does not have the energetic headbang-inducing riffs a mid-paced tempo can invoke. And it certainly doesn't have the abrasive aggravation that high-tempo black metal can cause. The track (or EP or whatever) is mostly low speed "metal" with a really simple 4/4 riff accompanied by horrific bedroom production. After a minute or so the track completely changes to an equally simple clean guitar melody, this time chaperoned by some of the worst programmed drums I've ever borne witness to. When the distorted guitars set in again the image of bedroom black metal is completed with endless crash cymbals ad nauseum and no sense of timing whatsoever. To be honest it sounds a lot like the guitars were recorded with little to no attention to the drum track.

Dèigh has so little attention to detail that it sounds like he didn't even listen to the song before uploading it online. I have no idea if the rest of his material is of equally inadequate quality, but listening to Nothingness doesn't make me want to find out. I have seldom seen such a blatant disregard for the final product, and the fuck-it-all change from one part of the song to the next and the way the track jsut stops at the end as well as the near-constant crash cymbal only empasize this notion. The only thing even remotely redeeming on the demo are the completely run of the mill raspy black metal vocals sporadically found on the track.

Originally posted on http://gouls-crypt.blogspot.com/