Your Daughters Twat Filled with My Cock

“Your Daughters Twat Filled with My Cock” is one man pornogrind band Cemetery Rapist’s first full length album released in 2007 and it brings you into a completely disgusting and degenerate realm of groovy slam riffs, drum machine blast beats, repulsive sexual samples, and some of the most insane vocals I’ve ever heard. This album really stands out among its peers in every metal sub-genre that it dips its toes into and I cannot stop coming back to this release over and over.

Clay Lamanske’s croaky vocal technique is one of the most noteworthy aspects of this album, this technique has been dubbed “cricket vocals” and it almost sounds like it’s an inhale technique but i honestly can’t tell. The drums are dynamic and very well programmed and not nearly as simplistic as some of the other bands who also have programmed drums. The guitar tone on this album is sharply distorted but still decently beefy, while the riffs are catchy and easily stay stuck in my head. There’s no bass guitar on this album but it really doesn’t need it because the heavy chugging guitar on this album definitely makes up for it. There is a lot of really gross samples on this record, plenty of porno clips and perverted movie samples, some of them are absolutely revolting but others make me laugh.

My favorite part of this album has to be from the third track “I Want Your Cunt”, this porno sample repeats “fuck my pussy till I cum!” about four times, the guitars chug in the background, and in between each sample repetition, Clay’s croaky cricket vocals belch “yaa yaa yaa yaaaaaaaa”. I really could not tell you why I like this part so much it just sounds so sick and twisted to me.

Overall, this album is a demented cesspool of perversity. The combination of all the vulgar samples, the dynamic programmed drums, the chugging guitar riffs, and the unique cricket vocals give this album a really grimy atmosphere that is definitely not for the faint of heart. I would recommend this album for anyone who enjoys similar bands like Torsofuck.

This album, according to Lamanske's MySpace bio, is the beginning steps in the style Cemetery Rapist really intended. Though "Violate the Decomposing" existed beforehand, he claims it is not a representation of what he wanted. Listening to the two side by side, it is very clear.

The first releases by Cemetery Rapist were death metal with exhale vocals and plenty of blast beats. Here, on the charmingly-titled "Your Daughter's Twat Filled With My Cock," CR has slowed the drums down considerably and changed the vocals, much to a desirable effect.

The drums are full of double-bass rolls with quarter note cymbal crashes layering over. The drums are consistent with slam death metal breakdowns, but the riffing is generally faster and less chromatic than the average slam breakdown. The guitar tone is impressively thick, more than making up for the lack of a bass player with the amazing low end.

Clay's vocals, though still developing, are a true highlight. His "Aaaaa" and "Eeee" type inhales give the album a truly unique edge. These vocals are what separate this from a band like Vomit Erection or Putrid Pile, and really set Clay's work apart.

Fans of the slam scene that don't mind drum machines will enjoy this album. Plenty of slow headbanging, but it moves enough to keep fans of faster death metal interested, at least for a few tracks.

I would say this album is worth buying... However, being that Clay will be releasing a new CD by the end of May 2008 with the two best tracks ("Infant Bred for Incest" and "LSD Fleshfeast") re-recorded and improved in every way, I'd say just buy the new album and pirate the other outstanding track of this album, "Tempted With Candy and Fucked in the Ass."