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Stupid and shallow - 51%

Noktorn, September 2nd, 2008

The Razorback Records releases I like most are the ones I imagine the people behind the label like least. I get the impression that the people behind Razorback love Blood Freak to death.

So there you go I guess.

Billy Nocera wrote all the lyrics to this album and that would suffice as a review on its own. I don't like a lot of Razorback releases. I don't like my extreme metal to be good-natured (generally, there's a handful of exceptions). I don't care about horror films. I don't like Impaled. I don't really care about Impetigo or Carcass. Most importantly, I don't like how all the Maniac Neil (and Razorback bands in general) tend to sound the same. As you can see, all these criteria make Blood Freak a goddamned nightmare for me.

This is the point where I say 'but this is different', but here's the twist, IT'S NOT. I still think this is dumb as shit. Let's look at the ingredients of this album from an objective point of view. The riffs are all recycled, overly bouncy crossover strumming or death/thrash tremolo, the vocals are the same high/low configuration you've heard a thousand times before, and the drums are just there not really doing anything. There are occasional wacky samples and the lyrics are overly verbose and equally wacky. It relies on its attitude to carry it. Unfortunately it's an attitude I find incredibly annoying.

One of the major issues is that all the Maniac Neil projects (and goofy death/thrash projects these days in general) sound the same. Same riffing style, same vocal styles, everything down to the last note. It all seems to be a reflexive response to Ghoul, who all these bands seem to ape without mercy, and who I happen to hate with a burning passion. It's just very stale and shallow music overall, and I don't get the impression that even if it was 'serious' it would be any more worthwhile.

Really even if I discount all the imagery, it's pretty dumb music. All the tracks sound the same (gee there's a strumming palm muted riff with open chords) and none of it is particularly well executed. It seems to be style over substance through and through and it seems that most of the people who like this are the people who are infatuated enough with '80s horror and its aesthetics to like just about anything that features them prominently enough.

The worst I can really say about this is that it's silly and unimportant but I consider that damning enough overall. The people who like Razorback stuff will buy this regardless of anything I say, so whatever. If you like Ghoul, jump off a bridge and then buy this. The order is important.

Blood Freak - Live Fast, Die Young... - 85%

Phuling, April 19th, 2008

The latest album from Blood Freak, and the latest flick at the Screamatorium drive-in, is a tribute to old school goregrind and splatter movies. In every aspect a total blast from the past. Impetigo worshippers beware! This might just cause you to soil yourselves. Every heavy, pummelling, churning riff is oozing of still-warm entrails. The powerful blasting drums shakes the earth, rumbles the soil and awakes the dead. And of course we also have the deep, gored growls and the frantic screams, so what else do you need? Oh well surely, pardon me! Of course there are gore tits present!

Awesome lyrics telling stories of the murderous Butchermobile, Wormface, the Turkey Monster etc. All your favourite freaks. But of course they’re also paying homage to the bands and near ones - Toxic Tomb mentions the brave and insane that listens to Blood Freak. Live fast, die young… and leave a flesh-eating corpse! is simply put an awesome album and a sure hit for any fan of slasher and horror flick’s and old school goregrind.

Originally written for

A Bundle of Horror Movie Metal Goodness - 100%

Boxx, October 13th, 2006

The musical genius Maniac Niel has come to us with another thrashing success, Blood Freak's "Live Fast, Die Young...And Leave a Flesh-Eating Corpse!". This package comes with horror movie samples and pounding music designed to get your heart going and get ready for a blood rampage. But anyways, on to the music...

Let's talk about the production. The guitars are not exactly clear. Neither is the drumming, but this doesn't hurt the credibility of this album one bit. As a matter of fact, I believe it boosts it. Concerning the musicianship: the skill put into the playing of these instruments is excellent, especially considering there's only one man behind the instruments. A first-time listener would easily mistake it as a full-blown, more-than-one-member band. The guitars, drumming, bass, and vocals are all on the same "sound level". What I mean is, nothing sounds synthetic or automated, and everything was mixed perfectly to give it the "band" quality.

The music itself throughout the album is nothing short of magnificence. Generally speaking, the songs are always moving and progressing. There are a few slow songs and slow parts of songs here and there. But that doesn't take away from the album in any way though. Each song may have a feeling of "redundancy", but each song also has its "specialty" not found in any other songs.

The album maintains somewhat of a death/thrash and death/grind balance. Some songs are straight-up grinding. Others have a thrashy feeling. The death metal element, however, is ever present throughout the entire album. To give somewhat of a better idea on how it sounds like, imagine Maniac Neil's other band, Frightmare. It sounds similar, but it's also very different and unique on its own.

Let me talk about the vocals for a little bit. It doesn't have extremely low gutteral vocals like Frightmare, but the vocals do deliver, and very well I might add. The vocals are balanced between a low growling and a raspy, higher-pitched growl. The vocals are not completely understandable, however. So you would need the lyrics if you want to sing...or in this case, growl along with Maniac Neil.

Overall, this album deserves a 100%. This is the gourmet chef's plate with the proper touch of every right spice. Nothing is too much or too little. Everything in the album weighs in perfect harmony, concerning musicianship, vocalization, and quality.