From the Chasms of Oblivion

The very existence of many black metal bands is definitely not a long and quiet river. Through numerous line-up changes, multiple parallel projects and other adventures, maintain a coherent artistic vision (and motivation to continue) implies a titanic effort. The fate of German band Asaru is quite exemplary. Founded in Hesse during the 1990s, it experienced a promising career debut despite intense line-up modifications, which slowed its progression. In addition, Frank Nordmann, band founder, was also Agathodaimon’s guitarist and vocalist, whose reputation also flourished during this period. This first turbulent era ends in 2007 with the relocation of Nordmann in Oslo, despite Asaru’s recording of its first full-lenght, that was not released then.

It’s finally ARTicaz that launched Dead Eyes Still See two years later, when Nordmann decided to reform Asaru with new musicians. Now nestled in the lap of Schwarzdorn production, the trio rages again this year with From the Chasms of Oblivion. Beware: heavy stuff ahead.

Swedish black metal influence on Asaru’s music is totally obvious and encrusts every song. Compositions inevitably evoke this characteristic blend of black and melodic death that made Dissection such a legendary band. Thus, through rough songs comparable to Dark Funeral and Hypocrisy early work, there are numerous harmonic passages, which develop a more accessible dimension, brief moments of respite in the hurricane’s eye. However, heart of the album is based on a speed / brutality combo, particularly on "The Eyes of the Dead", "Fortapt I Dødens Favn" and "Bonds Beyond Time" and its classy thrashy riffs. Production is also well-rounded and weighty, which highlights the band’s practiced style.

Nevertheless, I regret an approach maybe a little too cautious adopted by Asaru for its song writing. Even remarkably well constructed and interpreted, their songs lack a little something that a man like Jon Nödtveidt managed to give to its compositions, which gave them a unique feeling. But I’m maybe too demanding.

Anyone who appreciates music tacking between black and death metal borders will be admirably pleased by this album. Effective, direct, while remaining accessible, From the Chasms of Oblivion proves that a chaotic journey does not necessarily alter a group’s creative potential.

Originally written for Métal Obscur.