From the Dust of this Planet
Great opener, sonic assault and then the trademark bends and pickscrapes comes in.
I get M^6 vibes Meshuggah - Chaosphere and Deftones vibes.

Secrets Within
Heavy start that evolve into a 'w^w^^w^w' rhythm with the hypnotic start/stop riffing.
I love the effect used on the guitar that gives it a metallic sound during the outro, adds even more heaviness.

Nonagon
Once again I hear the Chaosphere tone to the intro, then it gets into this headbobbing-inducing decending rythm.
"GO!"
After the small break they venture into more jazz and actually does a small spastic solo(!).

Gratitude
Intro, straight up Car Bomb with pickscrapes intervening with the rythm then it goes into Deftones-land.
Dafferner is not Chino Moreno, but he gets the job done with the clean singing and the contrast against the rest of the album makes it work.
Love the riff after about three minutes in.

Constant Sleep
Proper Car Bomb song with an evolving riff that changes constantly.
Then it goes into a section with a strong Fredrik Thordendal's Special Defects feel, whispers over a palm-muted chugging.
The breakdown is the slow, dirty and glitchy. I love it.

The Oppressor
Weakest track on the album, it's good but it brings nothing new to the table.
I find myself closing my eyes and just follow the rhythm. This is what Car Bomb does to me. Losing myself in the music, somewhat like meditation.

Black Blood
Stepping up the tempo again, with a spastic riffing that's all over the fret board and time signatures.
And once again I get a picture of Chaosphere in my head, but it's no secret that Car Bomb got some Meshuggah in their blood.
The song slows down and then picks up with a great section that just gets heavier and heavier, ending the song with a fake ending that flows into the next song.

Sets
In this song the bass gets to be the spine and the guitars play around it, then the song moves into safe Car Bomb land and gives you what you want.
They bring the tempo down bit for bit until they hit rock bottom, then they release the mighty Frank fucking Mullen that rumbles over a "back and forth"-riff.
After Mullen they do a small clean section before they start ripping again.

Cenotaph
I get Dilling Espace Plan feels from the intro and the first verse, it's like a heavier slowdown version of DIP.
This is the ultimate mid-tempo song for Car Bomb, great riffs that just pummel away leaving you clueless to if they play 13/8 or 17/16 signatures.
Ending the song with a slowing down, dreamy riff that just keeps on going.

Lights Out
The song builds around tapping, chord/pickscrape and Deftones-dreamy riffs ending with a proper Car Bomb trademark rythm section.
One of the best songs on the album.

Infinite Sun
The finishing touch.
Once again we get a mix between Deftones and Car Bomb, and this combination really works for me.
The contrast from what I've written before as "dreamy" parts and the complex nature of Car Bomb gives the song life.
Halfway in we get a DIP riff that slowly evolves into a proper closure for the album with some hardcore gangshouts contrasting with a Catch 33/ObZen-style riff.

My final judgement, 8/10.
Meta have some low points, but they're are not so low that they drag down the album.
The major influences I can hear is as I said the chaotic Chaosphere mixed up with the clean parts of Deftones and the playfullness of a proper DIP album.