Only_Perception wrote:
FLIPPITYFLOOP wrote:
Pretty bold move to come swinging out of the gate with a 17 minute single. But it's great. Continuing from where Bellum I left off, the metal moments are more pronounced but there's still a hefty bit of softer classical moments too. The ending in particular is lovely. Definitely going to be my AOTY, unless Agalloch put out a new record this year (that's a joke, I know they won't).
I didn't know that people were disappointed; I did notice that the metal parts were harder hitting but it still was a logical successor to Griseus. I thought it was amazing personally.
As for the delay, I don't think he was rewriting things because apparently the 2 albums were recorded at the same time. I think it's label issues - Blood Music was supposed to put this out as their last release before a long and indefinite hiatus, but given the silence from them after Bellum I they probably had to finally admit they couldn't afford to do it justice, and instead let the band go to be signed by a more substantial label. Maybe they even helped Aquilus get on Northern Silence, who knows. In any case, I think it's for the best - this band is WAY too good to be signed to a label that's essentially a sinking ship.
Did you notice all the nods to Bellum I in the new release track? First half of it feels almost like an overture for Bellum I in a way, I wonder if this track is the album finale or if it has something to do with the lyrics. I am personally not one for reading or knowing lyrics (I prefer to keep music abstract and free of the written word), but I might read all the lyrics for this release to know why its doing all these motifs. Regardless of that, as always Waldorf's talent for music shines bright; Opeth and the like could use a lot of pointers on how smoothly he dances through his metal, folk, and symphonic sections.
In regards to the disappointment for Bellum I, it was mostly online reviewers I saw who wished that album to be more classically inclined. Of course they aren't always trustworthy, my favorite instance of that right now is the person on the RYM comment box for both Bellum I and now II who claims these albums feel like improv'd melodies, while having Mobb Deep "The Infamous" as a 5/5 perfect musical album lol. So yeah, who knows how many people that were disappointed in Belum I were worth caring about, it was just something I noticed and felt personally against.
Glad he got on a better label, certainly one of the best acts to have touched metal.
I wasn't paying attention to any nods to Bellum I, I'll have to go back and listen and try to spot them (It's also a massive track and I've only heard it once so far, so it's a lot to take in). But that would make sense though, considering these are supposed to be companion albums, 2 halves of a greater whole, kind of like this Finnish band who dangled their Pt. 2 album in front of fans faces for 12 years so they could crowdfund their own personal headquarters. Gee, what was their name again??? SummerMoon? Yes! That's the one!
I'd be interested in reading the lyrics as well and seeing what sort of continuity there is between them. Sounds like a fun sit-down project once the new record comes in! I do agree with what you're saying, I think a lot of bands, especially symphonic ones, can learn from Aquilus considering how it's very much going beyond the boundaries of "symphonic black metal" and is fusing the genre with authentically written classical music in a way that I don't think has been done by very many other projects. Makes me wonder how it translates to the stage, as I can't help but picture a full orchestra along the usual metal lineup (I've seen some clips of them on stage, Horace has some guest musicians on strings but that's it). In any case, they're very much in a league of their own and I'm all for it.
Regarding reviews - gotcha, I guess I just don't read a lot of reviews these days aside from this site. If anything I felt the opposite - I adore Griseus, but my only critique was to maybe balance it with more metal than there already was. Bellum I took care of that and I was more than stoked - the beginning of Into Wooded Hollows is absolutely devastating