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Orgia Daemonicum is a somewhat different beast than the previous Thou Art Lord albums, in not necessarily for a change in genre, then for the slightly more organic production aesthetics. They use this punchy, springy guitar tone here that gives the album more of a black/thrash aesthetic than the more blustering, symphonic theatrics of Eosforos or Apollyon. Strangely enough, this is also the album that reminds me of Sakis Tolis' other, more prominent band, Rotting Christ. If you took Rotting Christ and condensed them into a more thuggish, thrashing beast, it might turn out quite like what I'm hearing on this.
Not that the little eccentricities of this duo's past have entirely abandoned their modus operandi, but they all feel more subdued, like subtle guitars layered in for ambiance in straight, chugging black thrashers like "An Apparition of Vengeance". There are a number of the tracks that use a lot of the familiar Rotting Christ counter-melodies off the straight, hammering rhythm guitar, such as "Hecate Unveiled", "Necromantic", "The Gnostic Code". But the Greeks also branch out a bit, with a slower, ritual chuggernaut in "The Royal Invocation of Apophis" or some straight shots of eerie melodic death in the title track. At best, though, the band will break into this great, ripping thrash riff reminiscent of Slayer ("He, the Great Worm") and really bind together the wider dynamic range into a fit of sheer headbanging rage.
Almost as if to mirror their stylistic deviation here, they include a cover of Onslaught's "Power from Hell", off the album of the same name. Actually sounds quite good with Magus Wampyr's charismastic gutturals, and once more I have to point out that I love the guitar tone, not to mention the inflections of atmosphere they hurl under the riffs with some synthesizer/choirs. This all helps top off what I might consider the most 'fun' of Thou Art Lord's efforts, even if I enjoy the music from all its predecessors more. It's clear that the band did not wish to merely repeat itself, and so the change is welcome, but there's just not much food for thought here. Tense, coiled fists to the face without catchy enough notation to resonate for long.
Thou Art Lord is as you may know a black metal band with some of the most famous "stars" of the Greek metal scene, and you can see that with their two main members like Sakis the vocalist of Rotting Christ and Magus the vocalist of Necromantia.
Now the review: Orgia Daemonicum is the latest effort from the Greek black metal kings, widely known for their main bands. This album shows that there is still plenty of good metal out there, and that the scene still alive. One of the most interesting things about this album is the sound quality. It's raw but at the same time it manages to sound clear, and the listener won't have problems because every instrument can be heard.
Another interesting thing about this album are the lyrics. The lyrics are written in a Satanist way (Which is good) and sometimes it makes the listener feel like they're in the middle of a ritual calling for Lucifer, like in the song "Royal Invocation of Apophis". The guitar work is outstanding and these guys never seem to run out of riffs and it's also needless to say that these riffs are catchy as hell. The drumming in this album is totally kick ass. Akis did a wonderful job on the drums. Every song is well played, and it's not only blast beats like many black metal bands do most of the time. Last but not least is the cover of Onslaught's Power from Hell; this is the kind of cover that in my opinion metal bands should be doing covering some awful pop bands.