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One of the problems with the whole post-metal/post rock with louder moments thing is that every band of late seems to have went the whole â€œappeal to the hipster audienceâ€ way. Thereâ€™s Isis going straight up Mogwai worship, Pelican doing some unbearably shitty indie rock with distortion, Cult of Luna.. Well I guess those guys will never change. The Slayer to the aforementioned Metallica and Megadeth, maybe? Of course, like Slayer they also went way downhill after their fourth album.
To continue the fairly inaccurate thrash/hipster metal comparisons, Supercontinent would be a late 90â€™s/fairly recent band that heard the first few records of their forefathers, decided they were cool and that theyâ€™d do an exact copy of said records, with none of the rock boners that would drag their ancestors down. In other words: ladies and gentlemen, we have our first retro post-metal band!
Itâ€™s probably been done before, but whatever. Itâ€™s an awesome idea really; giving us Isis/CoL-ish crescendos and riffs without making us eat our post-rock vegetables first. Thatâ€™s right: hardly any of those long clean intros or attempts at being all dynamic, just one huge riff after another. Supercontinent understand that the market wants less of the clean and more of the molten amps style of post/whatever this is metal. Even the song titles suggest awesome slow riffing times: â€œEpochâ€, â€œLake of Ironâ€, â€œThe Monolithâ€, â€œEarthriseâ€, â€œImpact Winterâ€œ.
Itâ€™s hard to say much more then that; itâ€™s a simple enough formula with little in the way of distractions. I guess itâ€™s the kind of thing that could conceivably go fairly wrong- not dynamic enough, not enough variation with the riffs. Luckily Supercontinent understand that while massive riffing is indeed the most important thing, itâ€™s not the only thing. Massive doom jams in tunes like â€œEarthriseâ€ (hard to beat for excellent Cult of Luna ripping) and â€œIn Rustâ€ are ably balanced by some short but nonetheless startingly beautiful interludes; the delay soaked, blissed out surf tune thatâ€™s â€œRain gives Riseâ€ complete with slide guitar and general good beach times. As a keen fan of that big blue wet and salty thing I must say Iâ€™m pretty damn happy that someoneâ€™s finally done something like this! Thereâ€™s the occasional bit of clean guitar and a few short, tight guitar solos in the otherwise sprawling doom/sludge/slowed down hardcore songs, which adds to the dynamic nicely.
But itâ€™s the riffs that make this album good, perhaps great, even. â€œEarthriseâ€ needs another mention; itâ€™s like a seven-and-a-half minute long climax to an epic Cult of Luna tune, heaps of massive riffs and tasteful delayed guitar soaring over the thick rhythm guitars. Itâ€˜s all very despairing in that CoL-ish â€œscreaming into the voidâ€œ sort of way. I guess overall CoL is probably the best comparison, though itâ€˜s got much better riffs then our Moon-loving friends. â€œThe Monolithâ€ doesnâ€™t quite match up to itsâ€™ name but itâ€™s got a massive intro; all huge chords underneath a simple but brilliant guitar lead, before things get all early Pelican on us, all mid paced chunky major key riffing with the drummer beating the crap out of his kit. â€œImpact Winterâ€ is probably the closest to a proper, quiet-loud style tune, things starting off all Nuclear Winter-y and Neurosis-esque; a bunch of static and piano floating through the radioactive air, before Supercontinent get bored and just start playing massive riffs again.
Itâ€™s just such an entertaining record. For one thing, itâ€™s consistently heavy, so the hardcore screams fit the music a lot better then they do with most other bands of this genre. Thereâ€™s always something going on, not keeping you looking forward to â€œthe loud partâ€ thatâ€™s in three or so minutes or whatever, or building up tension, but thereâ€™s always something going on that you can enjoy. Despite it being a rather heavy, riff filled beast itâ€™s also really accessible, keeping you interested and banging your head. Well worth getting.