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Soliloquium (say it five times fast) started out in Sweden in 2011, and already by 2012 they had released this demo. The band consists of two people, Jonas Bergkvist and Stefan Nordström from the death metal bands Ending Quest and Desolator. For Soliloquium they have kept some of the death metal elements, but chose to mix it up with melancholic and cold doom metal much in the same vein early Katatonia, Swallow the Sun, Ghost Brigade and October Tide. The thing these bands have in common other than the music style is location - All of them are from Northern Europe, and like them Soliloquium has that very destinct melodic and desolate sound.
The demo is rather short with only two songs, but the songs are well-composed and pretty lengthy. Often with doom metal the songs become too long and tedious because the band simply hasn't got enough to offer, and the songs just become bland repetitions of the same two or three parts. With that in mind I was at first reluctant regarding the whole demo, but I quickly found that the two tracks are more than worthwhile getting into. Once you sit down and really listen to Soliloquium their music will grow on you and you will notice the duo's skills in writing.
As with many other doom metal bands Soliloquium has one problem: The music has a tendency to feel unclimactic. Garden of Truculence and Autumn State never really build any momentum and thus you can never really tell how far along in the track you are. Some might argue that momentum and climax has nothing to do in doom metal (especially death/doom metal), but in the end this element is what makes a song come together and gets it from a 9 to a 10.
However, the slowly churning double kick drums in Soliloquium trustily forces the compositions onward, and helped along by the gloomily melodic guitars "When Silence Grows Venomous" isn't a half bad effort. Soliloquium are succesful in creating a truly doom-worthy atmosphere along with perfectly murky production. If there were 20 years earlier they would've been among the most known bands of the genre today.
Originally posted on http://gouls-crypt.blogspot.com/
Always good to assess stuff on its own merits; however, Sweden's mobster-solid connections with death metal and death-doom should positively colour anyone's expectations. Soliloliololioilioquium's debut demo doesn't let the team down; mid-paced and stomping death doom with a fair amount of melody, though not enough to veer it into the realms of Swallow the Sun and their like.
Pretty decent stuff; for a demo the guitar tone seems to give a good idea of what it is these guys want to achieve. 'Autumn State' in particular marries a Mourning Beloveth (I think they have new stuff coming out soon, prepare the boners...) style crawl with 11th Hour-like melodies and ends triumphantly.
I like the warm, clanging clean bass guitars that mar its brutal composition. I also think that Stefan's death growls are highly appropriate; guy can vocalise, and though its not quite as deep or burdened with sepulchral menace as say, Evoken's John Paradiso and others in the funeral doom business, he does his own thing and he does it well. His roars on 'Autumn State' are particularly emotional and effective.
I don't like the clean singing though. It's weak. That's the only complaint. I have high standards for singing. This material deserves some gruff, deep bursts of manly singing, or at least some heroic shite. So in future I would hope they drop this in favour of just doing more growls... although there's always the chance this chap can train himself as Danny Cavanagh from Anathema did. Or they can get guests in.
So, awesome I guess! Keep at this shit boys, hire a session drummer and some guest(s) to sing, and write an album that otherwise sounds just like this. With the clean parts too, that's cool. I'll be waiting.
Having listened to previous work by Stefan and Jonas, I was intrigued to hear what their take on the old doom/death blueprint would be like. Garden of Truculence's main element during the intro is the huge sounding guitar riff, with the gently plucked guitar notes sitting underneath. There are elements too of death metal, in the drumming. The real clue comes in when Stefan Nordstrom's raspy death metal vocals start. They're low and fit the music really well. It's actually very anthemic as well, with the guitar being allowed to project melody into the song. The doom influences here are more obvious in the length of the song, and the slower passages. There's no need for Soliloquium to go all out and batter the listener, they just let the music flow and evolve. The clean guitar and singing that they play towards the end of song are a surprise and add a new texture to the music.
Autumn State follows on along the same blueprint, slow, anthemic riffs, but with added layers this time and the main verse kicks in, with less of a build up. It seems as though Soliloquium want to build more of an impact through this song. Stefan's vocals are certainly more prominent. The instrumental passages are still there though, with more great guitar melodies and cleverly placed moments of musicianship.I think this song gives them more reason to carry on along this path. It's got the foreboding dynamics that you'd expect from a project like this and it certainly places melancholy at the forefront of your mind when listening to its two winding songs.
Overall, it's great to hear musicians stepping across genres, even ones like doom and death metal, who's lines have been crossed so many times now. This demo is an assured start for Soliloquium and I look forward to seeing how it develops in the future, as the duo are currently working on new material.
"When Silence Grows Venomous" is the debut single by the Swedish death/doom act Soliloquium. To tell you the truth, even though I'm a doom metal fanatic, I never really ventured into the realm of death/doom before, besides some older groups like Dream Death. I can't say that I care for death metal vocals for the most part, but some albums/bands utilize them well or enough for me to not even notice, or even enjoy them as much as clean vocals. With that known, I have to say that after listening to this demo I can put Soliloquium into the list of bands that utilize death vocals well in my opinion. The vocals are not too overbearing like in a lot of other releases I have listened too. They are in just the right spot in the mix; not too high, not too low. There is also some really nice clean vocals scattered throughout that breaks up what could have been a very monotonous listen.
The production is quite clear and crisp for being a demo. All the instruments are heard clearly, and the guitars have that dirge quality that is the signature of doom metal. I have to say though, the drums are a little low in the mix; I think it would have given the demo a little more bite if they were raised a little bit, though this is only a minor complaint. The bass, however, is not very audible in the mix at all, with the guitars dominating for the most part. The two songs have a mix of a more typical doom metal sound (slow tempos, heavy guitars, etc.) and also some nice clean guitar parts scattered throughout that add some songwriting variety as well as some more melodic tinges to their doom sound.
To sum it all up, I think with a little time, these guys could make some noise in the death/doom genre. They have the chops and the songwriting abilities to make a great album in the future, and I will be looking forward to more material from these guys! There demo is available for free, so there is no reason why any death/doom metal fan shouldn't give these tracks a chance. Even more traditional doom fans like myself may find something to like on this demo. Give it a listen!
Soliloquium (try saying that with your mouth full) is the latest project of two gentlemen who hail from a pair of other underground Swedish acts I've covered: Desolator and Ending Quest, both of which are cast in a more decidedly death metal mold. When Silence Grows Venomous is their first stab at an atmospheric death/doom aesthetic, and the duo has been offering it for free over at their Bandcamp. Judging by what I've heard in these two tracks, I'd have to say the demo is worth checking out, for while it doesn't exactly bring anything new to the table, it exhibits a strong knowledge of the niche's fundamentals, and a firm awareness of the suffering with which it seeks to burden its audience.
Clearly you've got the trace elements of early Anathema or My Dying Bride here, circa the spacious and mourning guitar drudge and broad, guttural vocal inflection, and the lack of apprehension at incorporating cleaner sequences with both the guitar and vocal. Yet, there's also this constant surge of melody being expanded above the simpler chord set, which reminded me of fellow Swedish monoliths October Tide and Isole, and really helping to keep the listener invested in what might otherwise prove a slog. Both of the two tracks clock in at 7-8 minutes, with neither becoming boring whatsoever. There isn't a lot to the lethargic drums here apart from the occasional fill or double bass, but the guitars are so omnipresent that I felt like I didn't need much more than that, and I must compliment the vocals, which definitely take a broader spin on the Dan Swano style. The cleaner timbre used for the end of "Garden of Truculence" isn't exactly distinct, nor evocative of much range, but then, the solemn and slightly monotonous pitch is suitable to the gloom of the guitars.
They'll also pick up the pace from time to time, with bolder, rock-out rhythms redolent of Tiamat, Lake of Tears or Cemetery, and when the growl erupts over a sequence like this, the band takes you away to that obscure paradise available only in Swedish doom. Rhythm guitar riffs are hardly inventive or unique, but to a long time fan of records like Clouds, Black Vanity, Headstones or Rain Without End, this familiarity won't prove much of an obstacle. The bass-lines don't exactly thrill me, they seem content to meander along with the guitar for the most part, but the tone is affluent and adds a little depth. In terms of production, I do feel like the drums could benefit from a boost to their volume, and I would say the same for the melodies, but otherwise this is clear and present for a free demo recording, and with a little more time and energy the rest could easily be fixed. Ultimately, When Silence Grows Venomous is one of the stronger works I've heard from these two, and it delivers exactly what it promises, a slew of saddening dynamics that shall wrench despair from the Autumn air.