Register Forgot login?

© 2002-2013
Encyclopaedia Metallum

Best viewed
without Internet Explorer,
in 1280 x 960 resolution
or higher.

A Classic that isn't extinct yet - 93%

This album and all of the albums following it are seen to be a black mark in Megadeth's career by many people. People even compare it to things as bad as Metallica's Black Album or even Load but listen up - this isn't Groove Metal like the Black Album or Modern Rock like Load, it sure isn't thrash that Megadeth played in the past but this is pure heavy metal that pays homage to the early days of Maiden and in particular Priest. Let’s check out the early heavy metal that Priest pioneered with Killing Machine or Screaming for Vengeance. Catchy - Check, Heavy - Check, Excellent Leads - Check, Good Vocals - Well, check (surprise!).

Yes, Dave does further the power metal touch he acquired on Rust in Peace both vocally and musically and dismantles a lot of thrash. The album is simplified, catchy, melodic and most importantly emotional. There are brilliant solos and several catchy choruses splashed all over the album and its heavy enough to keep any heavy metal fan happy. There is thrash here and there especially on the tracks Ashes in Your Mouth, Architecture of Aggression and Skin O' My Teeth but overall the album relies a lot on emotional and catchy pure heavy metal. People seem to have a common misconception that catchy is poppy and you just have to play really heavy to be metal but this is truly a misconception as heavy metal is supposed to be catchy as the best heavy metal that which was pioneered by Maiden, Priest and W.A.S.P. is catchy as hell.

Heavy metal CAN appeal to radio too as Priest's hit singles have shown and therefore I bear no grudge against this album selling a lot or Symphony Of Destruction which many underplay as radio-friendly and even though Symphony has a very simple riffset, its darn heavy, has good vocals and that solo in the mid-section is pure class. Rust In Peace gave the mainstream a glimpse of Megadeth and this album (and song - Symphony Of Destruction) very well catapulted them into the mainstream which means that Deth would naturally be abused by metal fans but this very record has many heavy metal classics on it such as the aforementioned Symphony Of Destruction, This Was My Life, Architecture Of Aggression The title track, Captive Honor and the title track.

Skin O' My Teeth is one of the faster and thrashier moments of the album and is extremely powerful and catchy, Dave's vocals here are just alright though and sometimes downright annoying in the chorus. Next Symphony of Destruction is as I mentioned simple riff-wise but heavy and extremely catchy with some really rough vocals by Dave which only he seems to be capable of, watch out for that solo. Architecture of Aggression is heavier and more of a thrash cut and that intro would really make you think you’re up for something good. Yes, the song is good and it also has some well-thought out lyrics about war tactics and even has a very catchy chorus. Foreclosure of a Dream is a slower song and is basically Youthanasia/Power Metal, a pretty enjoyable song but not really up to the standards the album is really capable of. Sweating Bullets has some nice riffs and lunatic lyrics which Dave also shows well in his vocals. This Was My Life is one of the albums classics – heavy riffing, very nice vocals by Dave and extremely catchy chorus which co-ordinate with each other so well that it’s more or less a perfect song. Next is the title track which is slow and has another very catchy chorus and cool lyrics and solos ending up as a total classic. High Speed Dirt is a mediocre song with fast riffs and good melody but altogether doesn’t make you pay real attention to it. Psychotron has strange lyrics and though there’s heavy riffing here and a pretty catchy chorus – even it’s nothing to bother about.

Captive Honour follows and let me tell you – even if it has those judge and gangster voices it’s a total classic! You know why? Dave’s vocals are very emotional here, the guitar riffing is awesome, extremely catchy chorus and that solo section in the near end is just totally rules. The song builds up layer by layer perfectly and is in my opinion the albums best song. Ashes In Your Mouth is the ending thrasher and would surely appeal to even a thrash purist, its aggressive and Mustaine’s sneering and Menza’s perfect drumming really makes it a classic. The especially brilliant part is when Mustaine says “If your fighting to live/Its okay to die – Welcome to tomorrow!” Pure class and an awesome way to end the album.

Buy this album if you want emotional, catchy heavy metal but if you expect thrash like the olden days – stay away. This album is built perfectly for metal fans in general and should remain in your CD player for quite some time like me.

- Fatal_Metal, October 10th, 2005