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An underrated classic - 90%

The_Blacksmith, March 18th, 2009

When it comes to Mötley Crüe’s 80s output, the Theatre of Pain is consistently overlooked and overshadowed by the albums that came before and after. Sandwiched between the bombastic Shout at the Devil and 1987s Girls, Girls, Girls album with it’s two massive hits, Theatre of Pain is only really well known for it’s famed power ballad. For me though, Theatre actually ranks at the top with Shout as my favourite Crüe album.

The music here is a lot less aggressive than on the previous albums, but as IWP pointed out it’s not as catchy as bands like Poison and the works. To some, this is a bad thing, but all that aside there’s something about this album I just love. As with all Crüe albums it’s jam packed with attitude, it’s just not as aggressive.

Aggression aside, in terms of riff quality, it’s business as usual. Mick Mars is the man, every riff on this album is memorable and effective. At times, this album sounds much like a less aggressive version of Shout at the Devil; the song “Louder Than Hell” was actually a live staple from the Shout era, and a demo version can be heard on the re-release of that album, only it’s called “Hotter Than Hell” instead. The song is virtually identical aside from the lyrics, of which I prefer the first version (any song that has the words “some like it hot” will always get my vote), although this song is one of the highlights of the album. Other highlights include the opener “City Boy Blues”, which has a really cook smoky atmosphere (not actually sure what a “smoky atmosphere” is, but that description seems to fit the whole album nicely), “Use it or Lose it”, which is the compulsory speed metal song that Mötley always seem to include. Not quite “Live Wire”, but I’d say it was better than “Red Hot.” Although it should be noted that the main riff sounds awfully like “Breaker“ by Accept. The Brownsville Station cover is good fun as well and is relentlessly catchy.

“Home Sweet Home” is the most well known song on the album, and it is often credited for bringing power ballads to the glam metal forefront. An emotional song with a really nice piano melody, this is how a power ballad should sound.

It wouldn’t be fair to give this a score to match the previous albums, but really, it’s an awesome listen. Even if you forget the other Crüe albums overshadowing it, Theatre of Pain still had a fairly big underdog factor. A year later Poison would steal the spotlight with the release of their debut (a lot more poppy than this, but still a great album), as well as Cinderella’s Night Songs being released that year as well (although they never really became truly awesome until Long Cold Winter).

Overall then a great listen, and essential for any Crüe fans. My version is the 1999 “Crucial Crüe” remaster with various bonus tracks, but best go for the 2003 release, which has all of these bonus tracks plus the “Home Sweet Home” video, which is pretty cool.

Competent, yet pretty disappointing. - 79%

IWP, June 1st, 2008

Especially coming from a band that released to classics in the form of Too Fast For Love and Shout at the Devil. This album is not bad at all, though it's not even close to quality of the Crue's last two albums. It was apparant, Motley Crue wanted to be recognized by the mainstream after Shout at the Devil. They achieve that on this album, but the quality goes down as a result. This album just seems so watered down and bland.

There's really not that much that stands out here, but at least the album stays consistent for the most part. The main problem I have with this album is that the riffs have lost their aggression. I wouldn't have a problem wiht that had the songs have been very catchy like Poison. However, we hardly even have that much catchiness on this album either. Some songs are better than other though.

The best song on here surprisngly is a ballad in the form of Home Sweet Home. This song often takes responsibility for starting the whole trend of puting ballads on glam metal albums in order to soud more commercial. However, this song is one of the better hair ballads. It's done with just the right amount of emotional and melody which helps it succeed as a great ballad. Use It or Lose it is also pretty awesome as well. Like Livewire and Red Hot, this song is also the obligatory speed metal song, though thus one is a bit watered down just like the rest of this album. However, it's still speed metal, and thus is still awesome almost by default. Louder Than Hell and Smokin' in the Boys Room are also pretty good though lack the aggression of songs from their first two albums.

Overall, this album is not bad, though it's not really great more to less awesome like the Crue's first two albums. On that note, this album is still pretty good, and if you're into glam, you might still dig this album. I'd say it's the worst out of Motley Crue's first five albums. Though, it's still pretty good, and thus should not be overlooked.

The last great Crue album. - 82%

Nightcrawler, February 22nd, 2004

Well, I haven't heard any of the stuff after Dr. Feelgood, but they dropped quite a bit after this album, and I have my doubts towards that they managed to redeem themselves. But on here, it's all good.... mostly.
Theatre of Pain is more in the vein of Too Fast For Love than Shout At The Devil, and at times seems to have lost the intensity and heaviness that was present on the bands sophomore album. However, for what it is, this is pretty solid traditional metal.
The songs go on at a solid pace, not very fast but enough to keep them interesting all through. The riffs are not too spectacular, but they're memorable and catchy, and just do their job, and Mick Mars' soloing is as spectacular as ever for the most part. He also whips out some really sweet and tasteful licks on here, just listen to the first two tracks City Boy Blues and Smokin' In The Boys Room.

The band is in damn fine shape, and Theatre of Pain is a rockin' album, but it has a few filler songs as well, unfortunately. Those are Keep Your Eye On The Money and closer Fight For Your Rights. The first one is just downright boring and one of the most forgettable tracks of the first three Crue albums. The second tries to be anthemic but fails, and just comes off as mediocre and uninspired.
The rest though, is all vintage Mötley Crüe. Catchy, rocking, headbangable and fun to drink to. Perfect party metal, pretty much.
The songs that stand out especially much are among others the cover of Smokin' In The Boys Room, which is one of the most insanely catchy songs they ever did. Gotta love the lyrics, too. Then we have the splendid ballad Home Sweet Home, which I'm sure you've all heard. Use It Or Lose It is the fastest song on here, and serves for a good, solid punch in the face, and finally the acoustic Raise Your Hands To Rock, to which you just can't help but singing along.

Then City Boy Blues, Louder Than Hell, Tonight (We Need A Lover) and Save Our Souls is the classic just-above-midpaced Crue material that we all know. Think Public Enemy #1, Too Fast For Love, Bastard, stuff like that. Great shit, if you're a fan of the band.

In conclusion, this is another quite essential Mötley Crüe album for fans of heavy metal with hard rock-ish vibes, who're looking for a good time.