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Exceptional Melodic Heavy Metal - 83%

DeathRiderDoom, November 17th, 2009

Icon

*Written for the 9th MA reviews challenge


Icon is a pretty obscure melodic heavy metal/hard rock act. This album conjures up comparisons with Giuffria, Night Ranger, Europe, Fate, Bonfire, Coney Hatch and Y & T; plenty of bombastic, keyboard infused, catchy choruses, with big vocal harmonies in that true 80’s hard rock style. The sound evident here benefits from some pretty nifty melodic riffage, and great vocals. Awesome choruses are a high point, and these songs will get stuck in your head if you’re anything like me. As I always mention in reviews of this type of stuff, this isn’t for those afraid of a bit of melody in their metal. Having said that though – it’s awesome, and if you aren’t a fan of this style, go get the first 4 Dokken albums, and come back to bands like this and Kuni, and the aforementioned others, and see if you can get into it then.

Anyway, for me tracks like the amazing ‘Danger Calling’ exemplify this style to the hilt. Great production helps the tracks convey their awesome blend of crunchiness with powerful melodies in a perfect mix. This is an example of an exceptional vocal hook in the chorus, sure to win over the pop-rock crowd, and the metalhead alike. Great melodic riffage, though not really ‘tough’ per se, has melodic prowess, and will still get you nodding your head along. A killer track; great songwriting, and amazingly melodic and 80’s. ‘Out for Blood’ is another high point, this time a bit more heavy and furious (the title being a dead giveaway there). Riffage here is great, but of course given the conventions of this style, is mixed down, in favour of a concentration on the superb vocal melodies, and awesome George Lynch-esque guitar solos. You do get a strong whiff of Dokken throughout tracks like this. Killer stuff.

Basically, Icon embodies the perfect blending of 80’s AOR with just the right amount of heaviness. Like Dokken, there’s plenty of guitar mastery, mixed in with some pounding drums, and catchy, extremely melodic, yet powerful vocals. Bonfire is another band who does this blend incredibly well – it’s al about well thought out, massive choruses and powerful hooks – with riffs that have the balls to drive it along. Everything on here is incredibly catchy metal, from the straight forward ‘Raise the Hammer’, with slow paced pounding beat and guitar wizardry solos, to the keyboard infused Toto-esque ballad ‘Frozen Tears’. This album has definitely grown on me, as I didn’t appreciate it as much when I first got it. The caliber of material on here tops many of the straight AOR bands like Autograph and Giuffria, and equals greats like Night Ranger.

A genuinely enjoyable album here, this one will please fans of the aforementioned bands, especially those of you who like Bonfire. The guitars are very strong; well thought out leads that are original enough, and riffs which have some bite. That said though, guitars are sort of taking a back seat it feels, but if you concentrate on em, you can tell they’re badass. In tracks like ‘The Whites of Their Eyes’ you could draw Leatherwolf comparisons, and riffage is tough. Subject matter is definitely metal here. Superbly well thought out metal here making this a very strong effort. Seems like a lot of time went in to prepare these arrangements, and great hooks abound. This is an advisable release for sure, but be prepared for it to grow on you. Check out the track ‘Danger Calling’ online somewhere, and see what you think. If it’s you, then what are you waiting for. Raise your fists! As for the merits of this particular sub-genre of 80’s metal – I think it’s great. I know there’s a lot of people out there who wouldn’t consider it ‘true’ enough or something, but hey – fuck you – this shit’s awesome and it’s totally still metal.

-DeathRiderDoom