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From the dismal darkness of some obscure, long forgotten chasm in the depths of the earth came Diseased Oblivion in 2009. With them the duo brought ominous duo brought several incantations of enigmatic, arcane droning metal in the forms of black- and funeral doom metal. The sixth incarnation of Diseased Oblivion's music is found on the 4-track demo from 2012 entitled "Portals of Past and Present", which features songs from the very initiation of Diseased Oblivion in 2009 to some of their newer material from 2011.
The four tracks on Portals of Past and Present feature everything you could expect from a band of this type: Winter-like funeral soundscapes, eerie black abysses and abstruse ambience from the vastness of space. By pairing highly distorted guitars with profoundly cryptic noises the band achieve the bizarre atmospheres that their songtitles such as "Ghosts of Nuclear Winter" and "Blackhole Funeral III" paved the way for in the mind of listeners, and throughout the retrospective experience of Portals of Past and Present does indeed see an interesting evolution in the band's sound.
As we progress back in time through the increasingly eerie, murky waters that are the sounds of Diseased Oblivion, the imposing blackened doom tracks grow ever more filthy, tenebrous and oddly threatening from the newest track "Unquenchable Hurt" through Blackhole Funeral III and Ghosts of Nuclear Winter and ultimately coming to a grinding, funeral-like halt with the death/doom-ish Reclusa Eternus, which is also the oldest song on the demo.
I recon that Diseased Oblivion are succesful in creating effectively mind-invading black-laden doom metal. The demo gives a fulfilling look into the still short career of the american duo and their compelling but very traditional take on the genre, but through competent songwriting (if their is such a thing in funeral doom metal) they manage to keep their music, all 3 years of it, convincingly decent to make it worth listening to.
Originally posted on http://gouls-crypt.blogspot.com/