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From the dismal darkness of some obscure, long forgotten chasm in the depths of the earth came Diseased Oblivion in 2009. With them the duo brought ominous duo brought several incantations of enigmatic, arcane droning metal in the forms of black- and funeral doom metal. The sixth incarnation of Diseased Oblivion's music is found on the 4-track demo from 2012 entitled "Portals of Past and Present", which features songs from the very initiation of Diseased Oblivion in 2009 to some of their newer material from 2011.
The four tracks on Portals of Past and Present feature everything you could expect from a band of this type: Winter-like funeral soundscapes, eerie black abysses and abstruse ambience from the vastness of space. By pairing highly distorted guitars with profoundly cryptic noises the band achieve the bizarre atmospheres that their songtitles such as "Ghosts of Nuclear Winter" and "Blackhole Funeral III" paved the way for in the mind of listeners, and throughout the retrospective experience of Portals of Past and Present does indeed see an interesting evolution in the band's sound.
As we progress back in time through the increasingly eerie, murky waters that are the sounds of Diseased Oblivion, the imposing blackened doom tracks grow ever more filthy, tenebrous and oddly threatening from the newest track "Unquenchable Hurt" through Blackhole Funeral III and Ghosts of Nuclear Winter and ultimately coming to a grinding, funeral-like halt with the death/doom-ish Reclusa Eternus, which is also the oldest song on the demo.
I recon that Diseased Oblivion are succesful in creating effectively mind-invading black-laden doom metal. The demo gives a fulfilling look into the still short career of the american duo and their compelling but very traditional take on the genre, but through competent songwriting (if their is such a thing in funeral doom metal) they manage to keep their music, all 3 years of it, convincingly decent to make it worth listening to.
Originally posted on http://gouls-crypt.blogspot.com/
The name of the band instantly grabbed my attention and after reading the genre which they play, I thought that I should definitely check out their music. What better way than listening to their recent demo? I quickly snagged a copy of this and what came out of my stereo was exactly what I expected when I saw the album cover.
There is this futuristic feel to the music, but the future seems rather desolate and empty. 'The Unquenchable Hurt ' starts off with a relatively long intro, which is really haunting and not boring at all. Once the drums kick in, the beast is unleashed. Slow, doomy riffs and rock-solid drum beats drive the song and start off what appears to be an excellent demo by this relatively new band. The noise samples which appear frequently are the cherry on top of this delicious piece of music. I must say that I notice a difference between the first two tracks and the last two tracks. As noted on the cover of CD, these songs were written at different points of time, which explains the stylistic changes. The most recent tracks, the first two, are more riff-based while still retaining the doomy atmosphere and mechanical feel of the two earlier tracks which are more ambient/noise driven.
Although there are some stylistic variations within the demo, and although at times it can feel a bit disjointed, this makes for a rather interesting listen and I enjoy both styles equally. That means that whichever of the two approaches the band takes with its future releases, I will be pleased. The major advantages of the demo is the noisy production (which suits the music perfectly) and the intense atmosphere which is emphasized by the droning nature of the music. Special mention goes to the perfectly placed noise samples/ambient passages, the solid riffs and the skillful drumming.
I'm pretty sure that many people are bound to find the sound of Diseased Oblivion really great and I can see a bright future ahead of the guys. All I can say to the band is to keep up the good work, and consider me a fan.
Diseased Oblivion assemble an interesting mix of harsh dark ambient noise and blackish metal. The first two tracks have more harsh ambience, while the latter tracks (recorded in earlier years) have a doomier feel. Throughout, it's quite raw and rough, though appropriately so.
The first two tracks weave in and out of reverberated mechanical noises and black metal segments. On their own they're good for what they are, but they feel disjointed when it shifts from one style to another. The noise builds a great atmosphere, but it's uncomfortably pieced with sections of music that feel like tangents in the longer piece.
The funeral trudge of "Ghosts Of Nuclear Winter" grinds on as industrial noises and deep sirens are layered over it, building up from one piece to a thick layer of distorted sounds. The doomy atmosphere is certainly the band's strength, maintaining and increasing it from minimal to heavily layered instrumentation.
The production fits the music throughout - quite noisy and rough most of the time, but that's good for this. The songwriting is really stretched for the longer tracks, and the noise is better paired with rather than separated from the traditional instrumentation.
I realize it's only a demo, but it feels incomplete in places. Strengths and weaknesses show, the band could improve with stronger songwriting and embracing the blackened doom thing they have going, or they could drift into oblivion with the lengthy noisy tracks. The first two tracks were recorded in 2011, the third in 2010, and the fourth in 2009. Take the portal to the past.