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This is a little EP where Cathedral decided to experiment a bit with weird sounds and instruments (a fucking chair). But, as most of Cathedral, it's very fun. However, on 'Cosmic Requiem', they decide to mix some hard rockers mixed some doom, and some other weird stuff like the afford mentioned CHAIR and rattles, and sounds of people coughing. The result is an album which has the atmosphere, heaviness, and slowness that makes doom so great, and the speed (that's right, both slow AND fast) and song structures of plain normal Heavy Metal.
It begins with 'Cosmic Funeral', which has a doom vibe, and very a catchy main riff. It's hardly noticeable, but the song starts slow and begins to quicken up, try listening to the first seconds, and compare them to parts like at 3:14; it gets faster. Then near the middle it abandons the first doom half and becomes a mid-paced rocker with a cool synth behind and other shit like that guitar solo full of weird sounds. It keeps going on this rocking vibe, then it's solo after solo after solo until the end. This is probably the second best song on here.
'Hypnos 164' is the fastest song in here, and it almost completely lacks any doom feeling in it, and is instead a Heavy Metal song with a lot of solos, Lee Dorian's raspy voice, and of course, a generous amount of catchy riffs here and there. It's really headbangable, and the last melodic riff is pretty sweet, followed with more (yeah, damn right) weird noises at the end.
'Funeral Request - Rebirth' is the most doom-oriented song here, which sort of complements 'Hypnos 164'. Though it's doom-ORIENTED, it's not completely doom, since it's faster than most doom I've heard, but it has those little doom characteristics than make it recognizable. At the 4:35 mark it goes into something that would make you think that Cathedral decided to go all-out drone...for about 4 seconds. Because it then picks up with a fucking awesome riff, and it loses every doom aspects it had, pretty much like 'Cosmic Funeral'. It's funny how they play Heavy Metal song's with that doomish tone, it makes it sound really cool.
Ok, to the best song in here, which is also the longest, weirdest, most fucked up (how can you not love it!). 'The Voyage of the Homeless Sapien' starts with Dorrian talking through some weird effect which sounds a lot like Pantera's 'Floods', only that without sucking. After that it goes to a straight forward, slow doom riff, and a little bit later the vocals kick in again and keep with the doom vibe. Apparently the song is divided into several pieces, and when the third one called 'Along The Tranquil Riverbanks' starts, it goes into an acoustic riff which then morphs into a really heavy riff which almost sounds like Thrash. Another 'part' then comes with more riffs and Dorrian's silly low-falsetto voice. The lyrics are really silly, though that's probably the most normal thing in this song, and they sound like if they were improvised on the spot...or done while really fucking high!
The song then continues and they put some more weird vocal effects on the voice, and then more riffs--I don't know if you could keep calling this song doom, since there are just so many changes, parts, it's like motherfucking Dream Theater without wankery, and funnier. Every few seconds/minutes theres a new 'part' which in normal occasions would sound like if has no place in there, but it doesn't feel forced (most of the time, that is). You have that part at 10:51 which sounds so odd, with weird sounds and a...xylophone? I don't know, the point is that it ends in a guitar solo which comes out of nowhere, with some sounds in the middle, and then another guitar solo, will this madness ever end? Fuck no! We're just half through the song. I love how that middle part is filled with solos which have no place at all on how the song moves, but that's exactly what makes them good, cause this song feels so disorganized and weird and stuff that you can't help but love it. Like, at 12:46 the whole song changes away into a ballad-like piece, with an acoustic guitar and shore noises and more weird shit which already became standard for this.
Though I believe the hugest 'WTF' moment is at 14:18 with that small "lalala" part, which is funny! Then another 'part' with a bass-driven riff which is pretty goddamn catchy, and makes you headbang a little bit, like it or not. Then the song fades away, and away, and away...And then there's a riff which sounds like 'Iron Man', which repeats itself for some minutes until the distortion kicks in repeating it, and now that riff with THAT distortion sounds almost exactly like 'Iron Man', probably it was intended, I don't know what to think about this thing anymore. Then the final minutes are some weird chants with a guy talking rubbish in the back, and then it all ends in a huge and majestic--TOILET NOISE! I don't know if that can be considered cool, but I haven't heard ANY other album that ends that way (probably they have a good reason not too though).
So we have a weird piece of music which can't be considered avant-garde, or doom, or heavy metal, or plain weird shit, but a combination of everything that results in a truly amazing album. (That is, if you can handle nonsense for LONG periods of time). You should get this just for the pure amusement factor.