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When I last checked in with Swedish Blodsrit, it was in conjunction with their excellent 2007 release Hinterland. Since then they have re-recorded their debut album, and enjoyed a short but absurd burst of media attention, when guitarist Yxmarder (literally “Axe-murderer”) was fired from his teaching job because of his involvement with the band. Shortsighted school board decisions aside, this controversy was probably the most attention Blodsrit have ever received from the press, always existing in the periphery of the proportionally large Swedish black metal scene.
Blodsrit have probably never reached any notably level of fame because of an oversaturation of Swedish black metal. It’s certainly not because of any lack of craftsmanship; the musicianship and production of Diktat Deliberi is pristine. At the same time, the atmosphere that colored Hinterland has taken a backseat to straight-forwards mid-paced black metal, only spiced up with a slight dash of acoustic guitars.
As a result, the album is filled with solid songs, but nothing to set it apart from the crowd. The riffing is good, the clean singing parts are awkward, and it sounds exactly like any other middle of the road black metal band with some years of experience on their backs. This is a shame, as it feels like wasted potential from a band who have shown that they are capable of penning interesting music. Worse yet, the band is reeling dangerously close to that dreaded state of genericism.
At the end of the day, Diktat Deliberi is a good slab of Swedish black metal, but nothing more than that. If you simply want an acceptable production and decent songwriting, this might fill your quota just fine. Just don't expect to be blown away, unfortunately Blodsrit will not be shaking any foundations.
Written for The Metal Observer
Black metal bands’ proliferation leads to a phenomenon which is – strangely – very reminiscent to sports leagues’ evolution. There are old teams which always attract a large audience. There are also hopeful new squads, dreaming to dethrone their idols. Then there are all these midfield teams, often in second division, which enjoy an honest journey but never attract less fervent fans’ attention.
This thought came to me while discovering Sweden Blodsrit’s seventh album, a band founded in the late 1990s and very active since. Based in Kalmar county, it will not likely ever come to mind to a typically « svenska » black metal fan, who thinks first of legends such as Watain, Marduk or Dark Funeral.
Yet, Diktat Deliberi, released last December by Unexploded Records, is a record which has several qualities, including a beautiful cover, made by a Spanish artist after a contest. But key to understand the group’s low awareness lies directly in its music.
It is extremely difficult to discern what distinguishes the music composed by Blodsrit’s members from everything written by their countrymen. The band’s style, built on fast passages crossed with catchy riffs (similar to melodic Death Metal), has almost became a national characteristic. Even the excellent production, made at the famous Necromorbus Studios, gives the album a now widespread sound identity.
Despite these general mixed observations, Diktat Deliberi remains pleasant to listen for anyone who appreciates work done with care. Even predictable, songs are well written, performed by talented and experienced musicians. This will probably not get Blodsrit to leave the Swedish second division for the first, but will delight fans who appreciate the genre.
Originally written for Métal Obscur.
Blodsrit could hardly be considered the most prominent black metal act in their native Swedish scene, but 14 years and 6-full lengths ensure that they've been one of its most functional and consistent. I think part of their obscurity can be attributed to the fact that they've hardly broken the mold of the many and more celebrated Scandinavian peers. That said, with an arresting and duly competent expression of cold savagery like The Well of Light Has Finally Dried (2006) under your belt, you hardly require innovation to win an audience. Unfortunately, their 7th album (if we're counting the Supreme Misanthropy MMVIII remake of their 2001 debut) Diktat Deliberi just never seems to capitalize on the raw talents of its creators, and left me a little too dry despite the absence of measurable flaws.
In other words, the major drawback I had here was the dearth of distinguished songwriting, not for the lack or a sense of variation, but simply because so few of the riffs possess me for more than a brief time, and there just wasn't anything calling me back to the experience. In terms of potent, destructive, blazing and abyss born production values, Blodsrit can be counted among acts like Marduk, 1349, Dark Funeral, Setherial and so forth, because they get a nice, bold grime to the guitars that never dwarfs the listener's ability to hear each of the razing, roiling note progressions (though they create less of the mindless blast fest associated with those bands). The drums provide the essential, storming battery of muscular double bass driving and bursts of hellfire excess that defines this niche, which hit its summit in the mid-90s but still inspires a metric ton of later groups. They'll also layer in a subtle, non-exclusionary folk feel thanks to the sparse acoustic guitars (as you'll hear in songs like "Skapelseförfall"), and combined with the light use of synths this brings about an atmospheric nostalgia for Bathory's magnum opus Blood Fire Death. The vocals are evoked through full-bodied, ferocious black snarls, but again there's just nothing distinct about them.
So what we're left with is a pretty stock black metal record, from a band who seemed strongest during the middle of the previous decade with Helveteshymner or The Well of Light Has Finally Dried. In terms of aesthetics, this sounds a lot like it looks, but doesn't exactly deliver on the occult beckons of the cool cover icon. The thing that kills me about a disc like this is that, for all my indifferent reaction, there's really nothing all that wrong with, or inherently bad about the music. It has a voluminous, oppressive airiness about it when the Swedes are cruising along at mid-pace, and the riffs are usually different enough from one another that it doesn't succumb to the endless cycle of frustrating repetition. The instruments are all in place, and the vocals sufficiently unfriendly and misanthropic, but I just couldn't find the carrot on the stick here. Possibly worth checking out if you're into similar sounds from bands like Ragnarok, (90s) Emperor or Enthroned, or just want a straight-up, no frills onslaught of well produced black metal, but if you're approaching Blodsrit for the first time, you'll get better results by starting earlier in their career.